EMPLOYEES OF THE SLEEPTITE PAJAMA FACTORY ARE LOOKING FOR A RAISE & THEY WON'T TAKE NO FOR AN ANSWER. BABE WILLIAMS ISTHEIR FEISTY EMPLOYEE REPRESENTATIVE BUT SHE MAY HAVE FOUND HER MATCH IN SHOP SUPERINTENDENT SID SOROKIN... more ». WHEN THE TWO GETTOGETHER THEY WIND UP TALKING ABOUT MORE THAN JOB ACTIONS!« less
"I can't understand why this DVD doesn't rate a total 5 stars here! It's one of the best DVDs I have because it looks absolutely dazzling, the songs are great, the plot is silly - but so what?, the love story is great, the chemistry between John Raitt and Doris Day is out of this world, the "extra" on the DVD is superb (an outtake from the film of Doris singing a song that was dropped from the film!)...I can't get enough of this DVD! It should win awards for picture quality! If I wanted to sell someone on DVDs in general, I'd pick this DVD as evidence of their superiority over videos. And whatta FUN film!!"
Local 343 Amalgamated Shirt & Pajama
Richard Brennan | Washington, DC USA | 09/22/2002
(4 out of 5 stars)
"Labor relations in a pajama factory. This is the world into which songwriters Adler and Ross managed to weave a string of Broadway standards ("Hey There", "Hernando's Hideaway") in the musical "The Pajama Game". In 1955 it opened on Broadway with legendary director George Abbot at the helm and newcomer Bob Fosse making his debut as choreographer. John Raitt (the original Billy Bigalow in "Carousel"), Eddie Foy Jr., and Retta Shaw all earned praise for their work and Carol Haney delivered a career-making performance in a supporting role. (A week after the show opened, Carol Haney was ill so her understudy, chorus girl Shirley McLaine, went on in the part with no rehearsal. She was a great success, especially to film producer Hal Ashby who was in the audience to see Haney. He brought McLaine to Hollywood to star in his upcoming Hitchcock film, which started Shirley's career.)In 1957 Warner Brothers brought the entire cast and production team from New York to do the film version. All, that is, but one. Janice Paige was replaced by Doris Day as Babe Williams, the feisty union garment worker opposite John Raitt's suave role as Pajama Factory manager, Sid Sorokin. Doris Day comes across with a bit more grit in both her acting and her voice than many may be expecting. But she makes a great Babe - whether belting "I'm Not At All in Love" or cooing the romantic ballad "Hey There". John Raitt is equally adept as Sid and does so well with his tough guy good looks, that you wonder why Hollywood failed to cast him in any of his previous stage hits. But it's that full baritone voice that knocks you over. A voice of such lush timbre that contemporaries like Frank Sinatra and Gordon McRae pale in comparison. Carol Haney is a hoot as the zany (and at one point hilariously drunk) bookkeeper, Gladys. And Eddy Foy Jr, a veteran vaudeville clown shows off as her insanely jealous boyfriend. (Ever hear of Eddie Foy and the Seven Little Foy's? That's where Eddie Jr. got his start with his father and siblings.) The script also allows small chorus parts like Barbara Nichols as the dopey blond Poopsie, Thelma Pelish as the zaftig Mae, and Jack Straw as the nebbish Prez to shine in their roles and even gives them some of the best lines. (Mae: I like a man with spunk. Poopsie: You like a man, period!)Broadway's George Abbot teamed with Stanley Donen ("Singing in the Rain") as director. But the other breakout talent here was Bob Fosse ("Cabaret" and "All That Jazz"), doing his first (credited) choreography for film. He stages the star turns (Day's "Not at All in Love" and Raitt's "Small Talk", for example) like a pro. But he shines in the chorus numbers. Once a Year Day" explodes in athletic dances reminiscent of Michael Kidd ("Seven Brides for Seven Brothers" and "Hello Dolly"). And the mysterious "Hernando's Hideaway" is done in total darkness with the singers lit only when they strike a match. But the number that shows us what Fosse would become is undeniably "Steam Heat". What would normally have been a throw-away number (a little amateur entertainment for a union rally) is infused with the slinky, inverted style that would become his trademark. No one had ever seen anything like it in 1957, and it "stops the show", so to speak, were that possible in film.For all the music and comic shenanigans, the film never looses the flavor of working class people in a small factory town. "Pajama Game" may not top its contemporaries like "Gigi" and "Singing in the Rain" - but it's not trying to. It's just a slice of middle America filled with some fine song and dance numbers and some of the top Broadway stars of the day."
Allen Smalling | Chicago, IL United States | 04/04/2001
(5 out of 5 stars)
""The Pajama Game" is a terrific musical and I'm sorry more people don't know about it. The movie was so successfully "opened up" from its Broadway origins that it's hard to believe it actually once was a stage play. Credit Midwestern location shooting, fluid direction and camera work, and Bob Fosse's incredible choreography. His "Once a Year Day" production number is a standout, as he gets the cast to dance on a lumpy grass hillside doing steps that would be difficult for most troupes to perform on the flat wooden boards of 42nd Street.The central conflict in the work is between "Babe" the union representative (Doris Day) and the new superintendant (John Raitt, Bonnie's father, a well-known Broadway actor at this time but almost unknown to film). Secondary leads/comic relief are provided by Eddie Foy Jr. and the incomparable Carol Haney (who was also a marvelous specialty dancer and died tragically young in the Sixties). Best-known hits from the show are probably "Hey There," and "Hernando's Hideway," which is performed almost entirely by matchlight--or at least that's the illusion it gives.Studio-wise, this Warner Bros. confection is truly the kind of flick they don't make anymore, yet somehow "The Pajama Game," despite its struggle over a seven-and-a-half-cent raise, remains fresh to me. Possibly that's because the show is so exuberant and the tunes so universal in popularity ("Hernando's Hideaway," for example, is a tango), that this movie is much more watchable than more "sophisticated" films from the late 1950s. For D.Day fans, this is a must, as it is for lovers of musicals; I think people who like good movies in general will probably be pleased if they take a chance on this sterling production."
"7 1/2 cents"
gliguori | Staten Island,N.Y. | 12/27/1999
(4 out of 5 stars)
"The workers at Sleeptite pajama factory want a 7 1/2 cent an hour raise.Doris Day is on hand and shines brightly in her prime.She plays "Babe",the head of the union grievance committee.John Raitt co-stars as the foreman she inevitably falls in love with.This bubbly and bouncy musical was adapted from the "tony"winning Broadway hit by George Abbott and Stanley Donen in 1957.Most of the original Broadway cast and choreographer Bob Fosse make this a must see classic.The "steam heat"number with Carol Haney is a showstopper.The great 50's ballad "hey there" and the wacky "Fernando's hideaway" are featured.This movie gem is visually superb on Dvd.It is a fine,wholesome, film that does justice to the original broadway show.George Liguori."
Doris Day & John Raitt, Wonderful in "The Pajama Game"
Ralph McKnight | New York City | 03/17/2000
(5 out of 5 stars)
"Doris Day, without a doubt, was the greatest female musical/comedy star Hollywood ever produced. I know that Judy Garland fans will disagree, but, I like Doris better.When "Pajama Game" was brought to the screen, Doris Day was given sole star billing, of course, with Raitt, Carol Haney and Eddie Foy, Jr. getting secondary rankings. Mr.Raitt had top billing on Broadway, but this was Hollywood.Miss Day was fascinating as Babe Williams, head of the grievance committee at the Sleep Tite Pajama Factory. She falls in love with the new forman, played by Raitt. A 7 1/2 cent raise is at stake for the workers, with management playing dirty tricks. The musical score is great. Doris Day was in wonderful voice which was clear and poinant as she reprised that marvelous standard, "Hey There". "I'm Not at All in Love" was very entertaining with Day really showing us how a musical number should be done.With Raitt, she does the standout "There Once Was A Man", and they both perform to perfection. What a great number!The songs that were omitted from the original Broadway cast, were not missed here. I would love for Doris to have had another ballad, perhaps they could have written something special for the film version.Carol Haney was fun as Gladys and danced up a storm with Bob Fosey's signature choreography in two highlights of the film, "Once a Year Day" and "Steam Heat.Eddie Foy, Jr., Barbara Nichols, Rita Shaw and Thelma Pelish, all holdovers from the stage version added much to the proceedings.Stanley Donen's direction was deft. This is one of his best pictures, but he never mentions it in documentaries on him. I don't understand why he consentrates on "Funny Face". This is a much better film."