Search - Van Helsing [Blu-ray] on Blu-ray

Better than I had thought

N. Durham | Philadelphia, PA | 10/22/2004

(3 out of 5 stars)

"After writing and directing the empty blockbusters of the Mummy and the Mummy Returns, Van Helsing finds him looting Universal's monster vault once again, this time featuring the Frankenstein monster (Shuler Hensley), the Wolfman (Will Kemp), and of course, Dracula (Richard Roxburgh). Hugh Jackman stars as the monster hunter Van Helsing, teamed up with a princess (Kate Beckinsale) and a loyal friar (David Wenham from Lord of the Rings), sent to Transylvania to stop the count from unleashing a horde of bloodsucking offspring. Some spots of the film are deliciously campy, while others stick out as plain dull. The opening is a wonderful homage to the classic Universal monster films, and buffs of classic horror will find plenty of references and homages in the film. The special effects are some of the best CGI seen today, and Van Helsing is more satisfying than Sommers' Mummy films, although underneath the break neck pace and special effects there isn't much left to it. It's still worth seeing and it has a bit of a surprising ending, and a sequel is almost virtually inevitable."

Don't Believe the Negative Comments (Entirely)

Only-A-Child | 04/07/2005

(4 out of 5 stars)

"Don't let the negative comments scare you away from this film; most of these viewers totally missed the point of the film. This is a actually a parody of the horror genre (like Polanski's "The Fearless Vampire Killers"). So if you don't appreciate parody don't watch it and I'm not guaranteeing that you will find it good parody, just don't dismiss the film because somebody thought it was serious and said or wrote something negative about it-they are probably clueless.

Parody/satire of horror films has a long tradition and ranges from the obvious (see Abbott & Costello, Mel Brooks, and "Redneck Zombies") to the subtle (see "The Fearless Vampire Killers" and "Evil Dead"). Before reading many of the comments I would have grouped "Van Helsing" closer to the obvious, after all the film depicts a Vatican Department modeled on James Bond's Special Weapons "Q" Section. But apparently even something so obvious is not registering with many people, if the true measure of a 'subtle' satire is how many people just don't get it, then "Van Helsing" certainly qualifies.

They went into this project saying something like: "let's use digital effects and a large budget to create the most interesting sets in horror movie history, and then use these as a backdrop for a parody of the "horror genre". When concerns were raised about the expense for just a comedy, they pitched it as a sophisticated parody that would not get in the way of the average viewer's desire to see a traditional vampire movie. Such a dichotomy allows the movie to generate big bucks at the box office while still providing its makers with an outlet for their creativity. But such a dichotomy means there will be a third group of viewers who cannot suspend disbelief enough to enjoy it as a horror film and yet will totally miss the parody angle (the only question is whether they too humorless to find enjoyment in such frivolity or are just a little too dim to appreciate it).

The movie opens with a visually awesome scene of the villagers storming a huge castle and burning a windmill; the sets and the music are great. Except for the overacting and the presence of an assistant named 'Egor' or "Igor" (see Mel Brooks reference), you would not suspect that this is anything but a serious horror film.

The film plays homage to the Karloff/Chaney films, to Abbott and Costello, Mel Brooks, James Bond and The Wild, Wild West. There is a little Phantom of the Opera and even Eli Wallach's best line from 'The Good, the Bad, and the Ugly' (if you're going to shoot, shoot don't talk). In fact they even lift the vampire ballroom scene from "The Fearless Vampire Killers".

The individual performances are from the William Shatner School of Over-Acting with Dracula's brides totally stealing each scene in which they are featured. I particularly liked Josie Maran (who had that great scene as the cigarette girl in "The Aviator") as Marishka. The costumes are almost as good as the sets. The computer-generated action sequences illustrate all the problems with digital effects, but work fine as satirical devices.

So if you want to see a fun film with unparalleled visuals this is the one. Others who can suspend disbelief and ignore a few campy elements will enjoy it as a straight vampire picture. But if you are can't, are just humorless, or don't know the horror genre you should stay away.

Because there are really two movies here, the first viewing withholds most of the viewing pleasure; once you understand what is happening repeated viewings are even more fun. I suggest getting the "Ultimate Edition" DVD because of all the extras it contains.

Then again, what do I know? I'm only a child."