After one episode of The Wire you'll be hooked. After three, you'll be astonished by the precision of its storytelling. After viewing all 13 episodes of the HBO series' remarkable first season, you'll be cheering a bona-fi... more »de American masterpiece. Series creator David Simon was a veteran crime reporter from The Baltimore Sun who cowrote the book that inspired TV's Homicide, and cowriter Ed Burns was a Baltimore cop, lending impeccable street-cred to an inner-city Baltimore saga (and companion piece to The Corner) that Simon aptly describes as "a visual novel" and "a treatise on institutions and individuals" as opposed to a conventional good-vs.-evil police procedural. Owing a creative debt to the novels of Richard Price (especially Clockers), the series opens as maverick Detective Jimmy McNulty (Dominic West, in a star-making role) is tapping into a vast network of drugs and death around southwest Baltimore's deteriorating housing projects. With a mandate to get results ASAP, a haphazard team is assembled to join McNulty's increasingly complex investigation, built upon countless hours of electronic surveillance. The show's split-perspective plotting is so richly layered, so breathtakingly authentic and based on finely drawn characters brought to life by a perfect ensemble cast, that it defies concise description. Simon, Burns, and their cowriters control every intricate aspect of the unfolding epic; directors are top-drawer (including Clark Johnson, helmer of The Shield's finest episodes), but they are servants to the story, resulting in a TV series like no other: unpredictable, complicated, and demanding the viewer's rapt attention, The Wire is "an angry show" (in Simon's words) that refuses to comfort with easy answers to deep-rooted societal problems. Moral gray zones proliferate in a universe where ruthless killers have a logical code, and where the cops are just as ambiguous as their targets. That ambiguity extends to the ending as well; season 1 leaves several issues unresolved, leaving you begging for the even more impressive developments that await in season 2. It hardly seems possible, but The Wire's second season is even better than the first. The "visual novel" concept of this masterful HBO series is taken even further in a rich, labyrinthine plot revolving around the longshoremen of Baltimore's struggling cargo docks, where corruption, smuggling, and murder draw the attention of detective McNulty (Dominic West), who's been demoted to harbor patrol while his former colleagues have been similarly reassigned following season 1. What brings them back together is a series of events which at first seem unrelated (including 13 bodies found in a cargo container), and their ongoing effort to topple the drug empire of "Stringer" Bell (Idris Elba) and the imprisoned Avon Barksdale (Wood Harris), whose business is suffering from short supply, high demand, and disruption of distribution. The dutiful diligence of a Marine Police Patrol Officer and the moral outrage of the longshoremen's union leader are also factored into the suspicious goings-on at the loading docks, and what unfolds in these 12 episodes is an American crime epic easily on par with the Godfather saga. Yes, it's that good. Detailed synopsis is pointless; The Wire must be seen, heard, and absorbed to fully appreciate the way in which over 40 characters are flawlessly incorporated into a sprawling but tightly disciplined plot that deals, in the larger sense, with the deindustrialization of America and the struggle of longshoremen in a changing economical climate. Offering a privileged and occasionally frightening glimpse of the inner workings of shipping ports and cargo transports, The Wire is also a detailed exposé of organized crime and blue-collar corruption, and an authentic, well-informed study of political maneuvering among police and city officials. There's not a single false note to be found in the cast, direction, or writing of this phenomenal series, hailed by many critics as "the best show on television." With all due respect to HBO's other excellent series, The Wire tops them all. --Jeff Shannon« less
Reggie L. Mattocks | Upper Marlboro, MD | 12/14/2005
(5 out of 5 stars)
"Though it isn't given the National publicity as the Sopranos, the Wire undoubtedly is much better. I say that not taking away from how good the Sopranos is, but the fact is the Wire is not only showing you Baltimore's Hood, but every ghetto hood across America. From D.C. to Philly to the brick city in Jersey, to the 5 boroughs in NYC, to the dirty dirty down south, to them wards in Texas, all the way to Cali. Granted, most of the characters in the Wire dress and talk East Coast, the struggles and lifestyles are no different in the drug game. The Wire is not afraid to show you the gully side of drugs, police corruption, political corruption, and dishoner amongst men and women who break bread together and will off each other or their families over principle. This is basically a reflection of what our society has become and The Wire doesn't try to sugarcoat it or hide that fact. Probably why it's on HBO and not on regular TV (Is there such a thing as free regular TV anymore?). The acting is top notch from everyone including extras. This set gets watched just as much as my Godfather, Heat, Goodfellas, Casino or Scarface movies do. It's on the same level."
Second the Motion
D. Shein | Oregon | 07/31/2005
(5 out of 5 stars)
"I'm jealous: the Amazon editorial review above is a 100 percent bull's-eye, and I wish I had written it.
This IS the best show on HBO (or on television for that matter). The writing has a richness and precision that is not describable and the casting is as perfect as I have ever seen. The storylines are intricate and gripping, the characters are layered and real, and the acting is beyond description -- there isn't a weak performance, or even an average one, anywhere. From top to bottom, The Wire is brilliant. Its craft is stunning and its heart is profound.
More good news: the third season is up to the standard of the first two. With due respect to Hill Street Blues, the Sopranos, and many other greats, this is the best work I have seen on television. The Wire is without peer."
The realest series
C_realla | Brooklyn Park MN | 05/29/2005
(5 out of 5 stars)
"The Wire is one of the most raw and realistic shows that portrays all angles of the dope game and street life. It takes place in Baltimore and shows perspective from the police and the drug dealers. The only downside to watching this series is that the episodes are addictive and one can easily spend 3 hours watching all the episodes on a disc."
Giving THE WIRE Justice
Bart King | Portland, Oregon | 10/18/2006
(5 out of 5 stars)
"I hesitate to try to typify THE WIRE in a wee Amazon review, as the show's extraordinary realism and excellence are reflected in so many different components, it would take a feature article to do it justice. For example, this crime program is populated by police officers and criminals who are in many cases, the "genuine article," and there is no obvious difference between these real-deal folks and the show's ACTUAL actors. Thus, we can score one for verisimilitude. (Actually, score two.)
I'd also like to point out that if you're a fan of this show and you haven't read teleplay writer and novelist George Pellecanos's work yet, get to it. (Oh, and cancel that holiday you were thinking about spending in Baltimore. The place is apparently a corrupt hellhole.)"
BEST T.V. Series Out
Nirav B. Sheth | Newark, DE USA | 03/20/2007
(5 out of 5 stars)
"With over 10 out of 10 stars given on their latest season(4) in every newspaper around, these older seasons show where the characters came from and how they developed. Amazing show, well drafted cast, and impelling story line. Its one of a kind!"