Search - The Dark Knight (Full-Screen Single-Disc Edition) on DVD

Batman channels Plato's Republic

Marmez1@aol.com | Los Angeles, CA USA | 07/23/2008

(5 out of 5 stars)

"First of all, this is a GREAT film, not just a great Batman film.

Others have compared Christopher Nolan's two Batman films to the Tim Burton Batman films, so I won't repeat their observations. Let me simply say that everything about this movie, from the script to the casting to the CGI to the acting and ultimately the directing is superb.

Now to Plato. The meta-message of The Dark Knight is a meditation on the nature of good and evil, the veneer of civilization, the virtues of principle and the necessity and the danger of bending principle in emergencies, the differences between evil for gain or power and evil for mere destruction and chaos, and the tension between public duty and private loyalty. Finally there is the question of the place for facts and the place for "sacred" myth.

(Caution: this review refers to specific scenes and characters.)

The mafia in Gotham is evil for gain and power. They want money and they want influence. They also want order. When the manager of the bank objects to the robbery he complains that the usual rules and courtesies among criminals are being violated. The corrupt police officers are evil for gain as well. They too need general acceptance of rules and procedures.

The Joker is evil for evil's sake. He sows chaos and disorder and wants to expose the thin veneer of civilization. He seeks only to unmask what he sees as contradiction and hypocrisy in human nature and to demonstrate that so-called good citizens are really evil underneath.

Scarecrow, who was featured in Batman Begins and has a minor role in the drug bust scene in The Dark Knight, is a deranged psychiatrist whose evil comes from desire for power over others as he uncovers the weaknesses in the minds of others.

The Mayor is out for power but does not resort to evil. Police Lieutenant James Gordon represents incorruptible good. This is ultimately stressed when Gordon must make a choice between public duty and personal relationship. Batman faces that same dilemma when he must decide whether to rescue Harvey Dent or Rachel Dawes. Likewise, the passengers in the ferries must choose between what they are told will be personal survival and the deaths of others, in another of The Joker's nefarious experiments. When the Wayne Industries accountant is about to reveal the identity of Batman, The Joker announces that the accountant must die, and citizens try to assassinate him. Personal safety trumps adherence to the good sometimes, but not all times.

Batman seems weaker than The Joker because he adheres to rules. The Biblical injunction, "Justice, justice shall you pursue," has been understood as demanding that justice be pursued justly. Evil, especially evil for its own sake, makes no such demand. We see this every time terrorists deliberately target innocents and hide themselves behind children knowing that those in pursuit will not purposely aim at innocent bystanders. This gives evil a huge temporary advantage.

Yet sometimes the good must bend and even break the rules. Abraham Lincoln suspended the right of habeas corpus during a critical interval during the Civil War. Batman asks Lucius Fox to preside over such a broken rule to locate and catch The Joker. When and how can we know when good can break rules to catch evil? Batman answers by creating a mechanism to restore the rules as soon as the crisis is over.

Alfred Pennyworth indirectly poses the question, "Knowing that evil, if attacked, will double its efforts and create even more destruction, is it really wise to go after evil?" The bad guys cause huge destruction after Batman and Gordon squeeze the mafia, creating enormous conflict and guilt in Batman. But without disturbing the hornet's nest, evil would prevail anyway. So the battle must be joined in any event.

Harvey Dent is extremely complex. He berates Gordon for compromising his police unit by accepting some corrupt officers to his staff. Gordon answers by claiming that sometimes those who know corruption can be the most effective in fighting it. Dent is identified as the "White Knight" whose public persona will rally the public against evil. But Dent himself participates in an untruthful diversion to help trap The Joker. Even he compromises good for the sake of fighting evil.

When Rachel and Dent are being held in danger Batman and Gordon each race to save them. Batman declares he is going to save Rachel but is tricked into going to Dent's location. Rachel dies and Dent is severely injured. In a brilliant make-up creation the right side of Dent's face remains normal and the left side is severely and dramatically changed. He has physically transformed from a White Knight into his derisive nickname, "Two Face." Reminiscent of Jekyll and Hyde, Dent's nature is now permanently divided.

The death of Rachel has destroyed Dent's belief in good and has dissolved his commitment to the public's welfare. Now he only thinks of his own personal pain and loss. But he is not a creature of pure evil. His hurt and grudge turn him into a near nihilist. The lucky coin with two heads has been transformed. One side is now ruined and becomes for him the oracle of ethics. Life and death depend solely on chance; solely on the flip of a coin.

Furious at Gordon for the actions of the corrupt police officers in Gordon's unit who betrayed Rachel, Dent finds Gordon's wife and children. Recognizing that Gordon's young son is dearest to him, Dent demands that Gordon reassure the son as Dent flips his coin to decide the boy's fate.

Batman, for whom good and evil, life and death, are not decided by chance, intervenes. In their fight Dent and Batman both plunge to the ground from a height. Batman survives and tells Gordon that the myth of Dent's goodness must become the rallying point for the city. Dent remains the White Knight, while Batman allows himself to become The Dark Knight, spurned by the public, identified wrongly but necessarily as the source of evil, who can then secretly work for the good. Only Gordon and his son know the true story behind this myth. Gotham thus gets the hero it deserves.

The Joker is captured but his fate is left hanging, literally and figuratively. We do not even know for certain whether Dent died, or unconscious, has survived his fall. All we know for sure is that the complexity of fighting evil and the compromises permitted for good are unsolved. Civilization continues but only barely. The Joker has destroyed Rachel, transformed Dent, and caused everlasting turmoil and doubt within Batman.

The need to resort to myth over facts after arguing previously for the absolute value of Truth, ends Plato's Republic, with the famous story of the myth of the cave. We too are left in the dark, in the company of The Dark Knight, at the end of this superb film.

We can only wonder what the sequel might have been, with The Joker and Two Face challenging Batman, had Heath Ledger survived.

Speaking of Heath Ledger I want to mention a few things about his performance as The Joker. There is a small pantheon of presentations of psychiatrically deranged individuals in film. Among the best are Olivia Thailand in Snake Pit, Gregory Peck in Spellbound, Jack Nickelson in One Flew Over The Cuckoo's Nest, and Heath Ledger in The Dark Knight. Ledger's perhaps surpasses them all.

For those with a psychiatric or medical background like myself, the use of his slight head tics and the seemingly random movement of his tongue suggest that The Joker has been in a psychiatric institution and medicated with drugs that left him with a case of tardive dyskinesia, a rare but serious and irreversible movement disorder that can be a side effect of certain psychotropic medications. This touch, which I believe was meticulously and masterfully added to the portrayal by Ledger, makes The Joker both more convincing and more dangerous.

I am told that Ledger immersed himself in The Joker's state of mind before and during the filming. It is not unknown for an actor to have difficulty extricating himself from such a wrenching and demanding role. Joaquin Phoenix and Faye Dunaway have each spoken about this as they worked to emerge from Johnny Cash and Joan Crawford. If this was so for Ledger then The Joker got an undeserved bitter laugh while we have only tears.

Addendum July 23, 2008: One of The Joker's henchmen must have gotten into my spell checker to change Olivia De Havilland into Olivia Thailand. Sorry for that.

I want to expand on one point distinguishing Batman from Dent. When The Joker reveals the locations of Rachel and Dent, Gordon asks Batman which location he is going to. Batman says Rachel's but I believe he is aware of The Joker's double crosses and switches, and knowingly goes to Dent's location. That Batman expresses no surprise at finding Dent rather than Rachel confirms this view. Bruce Wayne would have rescued Rachel but Batman, a true hero, puts his public duty above his private preferences.

After Rachel is killed Dent loses his sense of public duty and loses faith in goodness. Batman, equally in love with Rachel and equally convinced she will marry him, retains his public duty and goodness, though he is burdened with grief and guilt. Perhaps a White Knight cannot endure crushing disappointment. Perhaps only a Dark Knight, who has already experienced the crushing loss of viewing the murders of his father and mother, and holding himself responsible for that tragedy, can make his way through darkness without losing his way.

A final note, in response to a commenter who took issue with my portrayal of Gordon as incorruptibly good, I agree that Gordon made pragmatic choices, and refer to them in the essay. But as a person he is beyond bribery and never loses sight of his duty to the citizenry. So how about personally incorruptible but one who made some seemingly necessary but ultimately unwise alliances."

DO NOT BUY 2-DISC "SPECIAL" EDITION DVD - MAJOR RIPOFF

Leif Fellague | Albuquerque, NM USA | 12/29/2008

(2 out of 5 stars)

"There is nothing more to be said about this movie - probably the best superhero film ever made, with a mesmerizing performance by Heath Ledger as the embodiment of chaotic evil - this is a 5-star DVD if ever there was one. But there is a LOT to be said about this awful, feature-free, completely inadequate 2-disc set.

On Disc 1, the movie itself provides no alternative soundtracks, no director/cast/technician commentary, no "music only" version, no alternate versions, no deleted scenes, nothing. You may as well watch it on Amazon Unbox given the utter absence of extra features.

On Disc 2, things get much, much worse. There are exactly two mini-documentaries - one on the design and implementation of the new Bat-suit and the quasi-motorcycle Bat-pod, one on the evolution of the Joker's "theme sound" for the movie soundtrack. Both are interesting as far as they go, but in the immortal words of another Warner Brothers hero, "That's all, folks!" Everything else on the disc is worthless. I'll list here and you can decide for yourself:

- A gallery of movie posters, production stills, and trailers. The posters and stills are not even presented full-screen - pathetic.

- IMAX scenes - The major action set pieces for The Dark Knight were filmed in IMAX, which I had the opportunity to see for myself at an IMAX theater. The effect in the theater was interesting - when the action took off, the somewhat over-sized widescreen image suddenly exploded into full IMAX. But what exactly is the point of this feature on DVD? It's NOT IMAX, obviously, so all we're really seeing is how these scenes looked in their original IMAX-style framing (which is, um, pretty close to 3:4 "full TV screen", kids) before being trimmed down to the "widescreen" format of standard movie screens and newer televisions. I guess this "feature" might be of interest to fanatics who worry about what they missed at the top and bottom of the screen during those scenes, but to the rest of us, this is a complete snooze-fest (unless you just like the idea of watching all the action scenes back-to-back).

- "Gotham Tonight" - the most inexplicable feature of all is this collection of 6 episodes of the fictional "Gotham Tonight" show featured throughout the movie as background and/or commentary on the action from the perspective of local TV news. Not sure where these came from, or why they were produced, but whatever value they might have had as "deep background" (if that is indeed why they were made), in this context they're just DVD shovelware.

Folks, THAT IS *IT*. The above is *everything* on Disc 2. Not even a *mention* of the late Heath Ledger, much less the sort of documentary a lot of us would love to see, perhaps featuring recollections of cast and crew about how he created the character that made it onto the screen. Given this, the fact that the picture used to label Disc 2 is a close-up of the Joker's face just adds insult to injury.

I share the opinion of many other customer reviewers I've read here - this is clearly a holiday season rip-off, a quick-and-dirty scheme to rake in a few extra bucks from unsuspecting clods like me who expected WB to release a package worthy of this great movie. Instead, what we have is an insult to the fans and the film makers. Save your money and get the single disc if you must, but better still wait for the proper "deluxe edition" that's sure to come next year. As it stands, the current "special edition" is really, really sad.

UPDATE: I hope we ARE getting a true deluxe edition of this movie on DVD, but you might want to take a look at the product description of the Blu-ray disc. Apparently, WB has decided (at least so far) to save all the decent supplemental material for Blu-ray customers. There's no technical reason for this - a 2-disc DVD set has all the capacity needed to carry the extra documentaries, etc., included on the Blu-ray edition.

Blu-ray and its flaky BD+ anti-piracy technology have given many of us pause. 1080p's nice, but not if it doesn't work, and until I'm convinced that the dust has settled on the stability and compatibility problems, I'm sticking with DVDs (assuming I still have a choice). If WB's handling of "The Dark Knight" is a harbinger of things to come, if the studios are going to try to force us to buy Blu-ray by needlessly withholding material from DVD editions, the most significant effect may just be to kill the "deluxe" DVD business. I know that from now on I will wait to read some detailed reviews to see if "special edition" DVDs are worth the premium before buying - no more pre-orders!"