Tower of Evil: A nude crazed woman slaughters a sailor on an island, then is taken back to civilization. An expedition is mounted to explore the island, which leads to a series of psychosexual murders. Inseminoid: A horror... more »ific alien life form is awakened, and it needs the bodies of those who disturbed it...so it can breed!! Horror Hospital: Doc Storm, a crippled demented genius, performs brain surgery on his patients, making them brainless zombies! Curse of the Voodoo: After killing a lion, a big game hunter finds himself cursed by some African lion worshippers. The hunter then must find the witchdoctor and kill him, as the only way to lift the curse.« less
Classic old school space horror without all the CGI. It was ahead of it's time with it's plotline and special effects.
3 of 3 member(s) found this review helpful.
Keith A. (Keefer522) Reviewed on 5/24/2013...
In this low-budget British "Alien" wanna-be a group of space archaeologists are studying the remnants of an alien civilization on a distant planet. One of the female crew members soon discovers that the civilization isn't quite dead yet when she gets raped by a slimy bug-eyed thing. Thus impregnated with the alien spawn, she spends the rest of the movie slowly losing her mind and killing off her crew mates to protect the creature within her.
Also known as "Horror Planet," this flick is cheap, dirty, gory, sleazy, exploitative, misogynist nonsense. In other words, it's my kinda movie!! :D
Whilst exploring a series of caves beneath the surface of the Jupiter moon Xeno, a small team of archeologists accidentally unleash a long-buried alien creature which promptly impregnates one of the female memebers of the crew (Judy Geeson). With the subsequent pregnancy developing at an alarming rate, Geeson is compelled to protect her unborn 'children' from scientific scrutiny and begins to massacre her colleagues, one by one...
Responding to the worldwide appetite for overblown space operas established by STAR WARS in 1977, yet remaining true to his roots as a purveyor of exploitation-horror movies (SATAN'S SLAVE, PREY, etc.), British director Norman J. Warren developed the script for INSEMINOID with writers Nick and Gloria Maley, a team of special effects technicians who were looking for a vehicle in which to showcase their talents. With funding from British and Hong Kong sources, the film went into production at Chislehurst caves (a grim but picturesque location just outside London) shortly after Ridley Scott's ALIEN (1979) wrapped principal photography, though INSEMINOID was completed and released after Scott's film had already debuted, and almost inevitably suffered from less-than-flattering comparisons.
The main problem with INSEMINOID is that the modest £1 million budget undermines its lofty ambitions from the outset, yielding a range of sets, costumes and visual effects which are more reminiscent of "Blake's 7" and "Doctor Who" than STAR WARS, and the cheapskate production values sometimes provoke unintentional laughter. Faced with some fairly amateurish dialogue, most of the cast can't help but sink to the occasion, though Geeason is remarkably good in the leading role, transforming herself from terrified victim to monstrous avenger with scene-stealing glee (unfortunately, she later bad-mouthed the film, saying it was the worst thing she had ever done). Elsewhere, Stephanie Beacham (THE NIGHTCOMERS, TV's "The Colby's") plays the material with earnest conviction, while Victoria Tennant (THE WINDS OF WAR) makes no impression at all as one of the early victims of Geeson's rampage.
For all its drawbacks, however, the film is fast-moving and well-constructed, and benefits enormously from expansive anamorphic photography by John Metcalfe (XTRO, RAWHEAD REX). A longtime fan of the scope format, Warren uses the wide frame to evoke a sense of scale which belies the movie's financial limitations, and to maintain a strong visual dynamic, even during quiet scenes, through careful lighting and composition. There's plenty of gory violence on offer, too, though Warren was forced to make a few cosmetic trims to some of the more explicit sequences, courtesy of the British censor, and that version has prevailed on home video ever since.
Sadly, theough the film was modestly successful all over the world (including America, where a slightly truncated print originally played under the title HORROR PLANET), the director was unable to finance another venture for several years afterward, and his final film to date, BLOODY NEW YEAR (1987) went straight to video. His long-cherished ambition to remake FIEND WITHOUT A FACE (1957) in glorious color has yet to happen, which is particularly regrettable - the genre has always needed talented mavericks like Warren, now more than ever. "
The Alien Who Loved Me
cookieman108 | Inside the jar... | 02/19/2004
(2 out of 5 stars)
"In 1979, director Ridley Scott unleashed the film Alien on an unsuspecting viewing public, pretty much making his career as a director. Of all the great things to come from that frightening, entertaining and highly successful movie, sequels, comic books, novels, toys, etc., the one thing he probably didn't foresee was the slew of really poor imitations that were to follow, including, but certainly not limited to, Inseminoid, AKA Horror Planet (1981). Written by Nick and Gloria Maley, Nick being most notable for make up and special effects on such movies as Star Wars and Empire Strikes Back, and Gloria's claim to fame being a nominal actress in movies like And Now the Screaming Starts! (1973) and Satan's Slave (1976), Inseminoid doesn't look promising. And it isn't. Okay, so who's directing? Norman J. Warren? The same Norman J. Warren who directed Satan's Slave, Alien Prey (1978) and Spaced Out (1979)? Oh man, we're in trouble...
This English production starts out with a view of some planet and voice over talking about various failed expeditions to said planet. There is currently a third one in progress, and we soon get to seen some people in space suits walking around caves. One of the explorers finds a strange looking pod, and it starts to glow, and then explodes. Whoops...some other stuff happens, and the gist of the thing is one of the female crew members gets impregnated (ick) by an alien who we see for like two minutes and then never see again. I know what you're thinking, "Did the alien copulate with the woman?" From the trailer you'd think so, but that wasn't the case. The alien actually sedated the woman and inserted a long, clear, plastic tube between her legs and some gooey, green, lumpy fluid flowed through (double ick). So anyway, the woman is now knocked up, and it turns out the fetus starts messing with her mind. Oh yeah, I almost forgot. The actress, Judy Geeson, playing the character that gets the space bun in the oven seemed so familiar to me, but I could not place her. Turns out she was in the much better film To Sir, With Love (1967). Poor Judy...oh well...as I was saying, the woman laden with alien spore starts tearing up the rest of the crew, and her gestation period develops rather quickly as in subsequent scenes, her belly gets bigger and bigger. There was a rather revolting scene where two crewmembers get into a fight with the pregnant woman, where the male crewmember basically stomps on the engorged belly of the expectant mother to be while she was laying on the ground. I know she has an evil space baby inside her, but still, the visual was disturbing and, in my opinion, unnecessary.
Things I liked about the movie...the production values where surprisingly decent, especially for a movie like this. The sets were fairly expansive and almost realistic. I guess when you have really low expectations, it's easy to please. Also, Judy Geeson does appear nekkid, during the insemination scene, and a couple of other female cast members are see in skimpy outfits that clearly mimic Ripley's outfit near the end of Alien. Both of the actresses who appear this way may be easily recognized as one was Stephanie Beacham, who was on TV's Dallas, and the other being Victoria Tennant, from the Steve Martin movies All of Me (1984) and L.A. Story (1991). Things I didn't like about the movie...well, the actors kept stepping on each other's lines. I understand film is expensive and shooting schedules are tight, more so in these types of movies, so there may not have been an opportunity to correct these things. It happens pretty often in this movie, and it's quite funny. Also, the music...arrrgh...couldn't they afford someone whose main instrument wasn't a Casio keyboard? Another thing, there were too many characters, and it soon became apparent the only reason for this was fodder for various kill scenes. One last main point was of a tactical nature. These noodle heads had absolutely no concept of even the most basic, common sense tactical abilities when dealing with the murderous mother. They outnumbered her and had various weapons available at their disposal, but their course of action always involved running away, even when they have the advantage. Really, the characters that met with grisly ends deserved to die, as they were so utterly incompetent and stupid.
I give credit to Elite Entertainment for an exceptional print of the film. It was clear and without visual flaws. Same thing couldn't be said of the script. The audio was also excellent, providing crispness that allowed us to hear every bit of inane dialog, cheesy electronic musical note, and odd, sometimes-inappropriate sound effect. My overall view of the film? Good for a few cheap thrills and unintentional laughs, but not much else.
Cheese city here, folks
Jeffrey Leach | Omaha, NE USA | 02/21/2004
(4 out of 5 stars)
"I had to chuckle to myself when I noticed I am following up a review for a movie called "Killer Condom" with one for a film called "Inseminoid." It is completely unintentional, I assure you. Still, it is funny in a dark, demented sort of way. As for these two films, the styles are quite different. "Killer Condom" is a warped spoof of American detective films while "Inseminoid" falls into the category of straightforward science fiction. Also known as "Horror Planet," "Inseminoid" is one of those hypercheesy rip-offs of "Alien," except on this outing it is Brits instead of Americans working on both ends of the cameras. The movie is a very low budget effort, hardly worth mentioning let alone watching unless you always enjoy viewing low budget British "Alien" rip-offs. Once again, I found myself wondering how a movie like this could get a DVD release while worthier projects fester on the back shelves of video stores in VHS formats. I am not saying "Inseminoid" is bad; it is actually a quite enjoyable romp through the world of schlock cinema, but even I must admit this movie should stand at the back of the line when it comes to receiving a DVD treatment.On some distant planet in the distant future, an archeological expedition made up of males and females digs up a world of hurt in a series of tunnels near their recently inhabited base. One of the guys nosing around in a tunnel unearths some weird looking crystals, and goes completely bonkers after touching them. The other members of the expedition express the requisite amount of concern for their mentally damaged and recently deceased co-worker, but that doesn't stop them from continuing to muck around in a situation of increasing danger. Instead of hiding away in the research facility to await the arrival of a rescue ship, the crew decides to find out exactly what is going on. Too bad for them. It turns out that some mushroom shaped alien life form (see the cover of the DVD) has decided to emerge from its hibernation, hiding place, or wherever it has been in order to wreak havoc on the gullible humans. The hideous being hurts a few people before casting its lascivious eye on Sandy (Judy Geeson), deciding to "inseminate" her (chuckle) so he can have a few children. Before you groan with derision, and you will groan often while watching the film, it is after this incident that "Inseminoid" gears up to a snail's pace.Sandy flips her lid after her experience with the creature. "Hey, so would I if I just had a sexual experience with an alien" you might say, and you would be right in part until you discover what Sandy gets up to. She starts roaming around the byzantine tunnels of the research facility in search of her fellow crewmembers because the growing embryos inside clamor for the nurturing taste of human blood. Bodies fall spouting blood and guts as Sandy insidiously tracks down her prey. The lady uses explosives to blast through metal doors, lays in ambush, acts as though she is in peril in order to lure unknowing humans to her, and generally makes a huge nuisance of herself. A diminishing group of survivors frantically monitors the deteriorating conditions in the corridors of the base from a sealed off control chamber while desperately hoping help arrives in time. Predictably, Sandy gives birth to her alien offspring--twins, by the way--before finally succumbing to one of her comrades. The "twist" ending not only fails to surprise, it fails in an excruciatingly banal way. Anyone who claims "Inseminoid" doesn't rip-off "Alien" should have their head examined."Inseminoid" boasts several memorable elements worth noting here. One concerns the presence of actress Victoria Tennant among the cast. She only shows up briefly--just long enough to pick up her paycheck, one supposes--so you have to keep your eyes open. The idea that this actress could go from a cheesefest like "Inseminoid" to movies like "All of Me" in the space of three years simply boggles the mind. Only Kim Cattrall could boast of a similar seismic shift in cinematic priorities with her trek from "Porky's" to "Sex in the City," and that took nearly twenty years. If you tire of looking for Tennant, tide yourself over with the hysterical overacting from Judy Geeson's character. Bette Davis near the end of her career couldn't beat this energetic actress's hammy performance as the doomed Sandy. She shrieks, she cries, she bellows, she cackles, she plots--what a thespian! I alternated from saying things like "Oh, knock it off!" to general laughter as I watched Geeson emote herself into a tizzy. Yep, these two elements, combined with set pieces that looked like they were taken from a roller rink circa 1975 and the cheesy special effects make "Inseminoid" a worthwhile project for the dedicated film fan.The DVD edition doesn't offer much in the way of extras. There's a grainy, unrestored trailer and that's about it. At least they offered us a widescreen picture transfer (why, I have no idea), which does look very nice. The audio sounds better than it should. "Inseminoid" is rumored to cause watering eyes, chronic fatigue syndrome, shingles, projectile nasal congestion, headaches, and a host of other annoying ailments to those who watch it more than once. So take my advice: rent the film, watch it once very quickly, and return it with all due haste to the video store. There's no sense causing yourself lingering harm by repeating the experience."
Liquid Who Alien Hammer 1999
ProEvil | MA | 11/12/2005
(4 out of 5 stars)
"I've actually read that this film was being made simultaneously with alien and was released a few weeks later, so who's the rip-off? More like a mash of Doctor Who, Space 1999, Liquid Sky and some Hammer mishap. Gory brit space opera filmed in a cave with some sexy breastage and horny alien impregnations. A whole lotta gel filter lighting and silver myler spandex were used in the making of this film. People who grew up on 80s late night cable will cleave this lovingly to their breast, all others will probably see it for the space-rape hokum it really is. Recommended."
Nice British Sci-Fi Horror
Chris | Australia | 10/23/2005
(4 out of 5 stars)
"Let me start by dispelling the myth that this is an attempted Alien rip-off. This movie was in production before anyone involved in it had seen the Alien movie and it was released in 1980. Both movies do draw upon earlier works such as Bava's Planet of the vampires. Any comparison between the two is also somewhat needless given the status of Alien as an all time classic and Inseminoid as a competent and entertaining B-movie.
Inseminoid could be described as exploitation meets a Blakes's 7 episode. The British seem to have been masters of combining very professional small-name actors with low budgets to produce material that hits above its weight, and I think this is a good example. Where the movie falls down a bit in my mind is that suspense in not maintained. None of the characters are developed to the point that we have much pity for them as they meet their deaths, and hence the movie does fall back on its credentials as an exploitation flick to provide entertainment. The quality of the DVD transfer copy I've seen is very nice with no obvious sign of age or wear. I'd only recommend buying this one to collectors of this genre. Having said this, I think the movie is much better than many similar low-budget B-movies."