Member Reviews

Wonderful sequel to Old Yeller. Mom and Dad are not in this one though, they're off somewhere. Their Uncle played by Brian Keith of the original Parent Trap comes to help when Tommy Kirk, Kevin Corcoran and their friend are kidnapped by Indians. Sam is Old Yeller's offspring and helps track the boys. Very enjoyable family fun. My girls actually requested this one!

I love most Dracula movies. This version is superb, not only does it tell the story as it was written but the actors protray it so well.

I loved this movie. Rutger Hauer is one of my favorite actors and Ridley Scott is a favorite of mine too. The movie really makes you wonder about our future.

Relive your concert memories whenever you want!

If you enjoy oddball comedies, punk rock, blues, comic books, obsessive collecting, crazy art teachers R. Crumb or Steve Buscemi you NEED this film. A great adaptation of Dan Clowes’ graphic novel. For the bitter self-absorbed naive angst-ridden teen in all of us. A++

Great movie, good twist and good ending! The movie hooks you in and is very heartfelt in the end. Crude language, but not obscene. My only complaint is some big holes in the storyline, but I can't discuss them without giving away the plot. Nice exploration of the loneliness of being super-powered.

Will Smith plays virologist Robert Neville, who is immune to a vicious man-made virus originally created to cure cancer. He works to create a remedy while living in Manhattan in 2012, a city inhabited by animalistic victims of the virus. it is very well done.

Hmm, what to say about this. I didn't find it especially "frightening," as in edge of the seat terror. The movie seems to convey more like a "general sense of unease." Maybe it's 'cause I've just recently watched Paranormal Activity, and that movie ratchets up the suspense factor quite a bit by not ever really showing us what's "behind the curtain" so-to-speak (that which we *don't know* is often more frightening to us than what we *do know*). I found it to be more "startling" than frightening. That is to say, this movie is good at setting mood/atmosphere and they're good at quick cuts and sudden noises, taking advantage of the startle reflex. In many ways this almost seemed more like a supernatural thriller / shocker than a completely "horror" piece (though there are enough "scares" / "startles" and there's enough blood and ghosts to still fall within the horror genre). Granted, it's not for the squeamish as there's a bit of gore and the ghosts are rather menacing when they do appear. But like I said, I wasn't especially "scared" of them. They don't ever seem to attack people, merely startle them, walk toward them or stand around them menacingly. In addition to not doing much other than fulfill the role of a menacing presence, it seems like we see them too early, too often, and in too much detail for them to be truly frightening. I'm hoping An American Haunting might be better and bring a little more horror.

An SNL/SCTV-like series of skits, of about the same consistency of a typical episode of either. Some skits are very funny, some not so, but all in all it was probably the second-best of the "skit-flix" of the time. Of the genre and time period, only The Groove Tube really stands up better. Both set the tone for later films such as Amazon Women on the Moon, and the multitude of National Lampoon and ZAZ farces that followed. Tunnel Vision is particularly funny for those of us who are old enough to remember the TV shows, political hearings, and commercials that are being parodied... and the general tone of it's TV-industry and political satire is (unfortunately) just as valid today as then. One supposes it's a matter of taste... but those who think that, say, Kentucky Fried Movie, was better, really need to justify their opinions with something other than simple sarcastic spewing. The writing in Tunnel Vision is at least as inventive and clever, and it's really only the 70's themselves that make it "dated". Yes, it obviously had a lower budget-- all the more reason to appreciate its accomplishments. KFM was glitzier, and had more "starpower" (assuming you consider Bill Bixby a star), but in essence, was only a derivative attempt to latch onto The Groove Tube's inertia. Tunnel Vision is much more original. And to complain about the language, while then implying that KFM is "better"...? Well, there's just no accounting for hypocrisy, I guess. Almost any PG-rated film of today has worse. If one doesn't care for the 70's in general, then yes, "it doesn't stand up well". But I would suspect that the real motivation for that opinion might be more rooted in personal disdain of the noticeable anti-authoritarian, don't-believe-the-corporate-bullsh$$t attitude that pervades MOST of the successful movies of that era, including this one. One has to remember that the country was still in recovery from Nixon, Vietnam, and a fairly major recession... an era all-too-reminiscent of the quagmires of today. No, this isn't a movie for die-hard Republicans.... And it is interesting to recognize some of the cast members (mostly comedians) so early in their careers, who would go on to other flicks, sitcoms and later stardom... Such as Chevy Chase, Howard Hessman, John Candy, Joe Flaherty, Phil Proctor, Betty Thomas, Tom Davis, Neil Israel, a chubby(!) Larraine Newman, and yes, senator Al Franken (who is also billed as a "creative consultant"; i.e. contributing writer?) If you liked The Groove Tube, and the unedited Putney Swope, you'll like this Flick.

OK, somebody needs to fess up and admit that this is NOT a commercially-released factory copy of these movies! This is very obviously a transfer to disk from crappy old film reels... rather surprising, considering both were released in the 70's, not the 20's or 30's. It would probably make a pretty decent party flick, to have running in the background for folks to watch when things get boring. Specifically, all the laughable old commercials and extras, and those parts of Tunnel Vision that are not too trashed to be unwatchable. The whole thing plays pretty much like one of those old shown-way-too-often 16mm films they used to make us watch back in grammar school, complete with film splices, sound dropouts, and cel scratches, etc. It's the kind of quality you'd expect when watching an old Charlie Chaplin or Buster Keaton movie... but those gems have the excuse of being from a much earlier era in the history of filmmaking. This thing? Well, apparently the "Catcom" people were just too cheap to locate and/or pay for anything other than someone's used 16mm versions of these flix. I'm not saying that it's not worth having... just that people need to be honest about what you're getting! And it certainly shouldn't be marketed as if it were an actual studio-sanctioned dvd release. Honestly, even I know a friend or two who've got the got the gear and talent to do at least as good a conversion job as this. Now, about the flix themselves: The Boob Tube is just plain stupid. A very amateurish attempt to cash in on the following that The Groove Tube and it's ilk garnered in the 70's. The acting and writing are pathetic, pretty much porno-grade. One supposes they thought they were making a hilarious, trendy spoof or something, but all it really has going for it is boobs. Lots and LOTS of exposed boobs. Big boobs, small boobs, sexy boobs, pert boobs, saggy boobs-- racy stuff for the time. Yes it is a tit-man's fantasy... assuming he doesn't care a whit about acting, writing, sound and film quality, etc. Tunnel Vision is much, much better-- an SNL/SCTV-like series of skits of about the same consistency of a typical episode of either. Some skits are very funny, some not so, but all in all it was probably the second-best of the skit-flix of the time. It is particularly funny for those of us who are old enough to remember the TV shows and commercials that are being parodied... and the general tone of the TV-industry and political satire is (unfortunately) just as valid today as then. And it is interesting to recognize some of the cast members early in their careers --mostly comedians-- who would go on to better things and later stardom (Such as Chevy Chase, Howard Hessman, John Candy, Joe Flaherty, Phil Proctor, Betty Thomas, Tom Davis, Neil Israel, a chubby(!) Larraine Newman, and yes, senator Al Franken). Unfortunately, some of the best scenes are so screwed up from film breaks/splices that they are virtually pointless... including the bit with Chevy Chase that they nonetheless use as an advertising point for buying the thing. Some of the extra's are also pretty cute-- some funky commercials from the 50's, 60's, 70's and earlier (including Maidenform, GI-Joe, and Lucille Ball & Desi Arnez extolling the "benefits" of smoking Philip Morris cigarettes). There's old Betty Boop cartoon, and a pre-talkie Krazy Kat as well. As I said, it's probably worth having-- particularly if you're a fan of 70's satire, and old-commercial kitsch. Just don't pay more than it's worth!

We LOVE this movie. We are watching for the 93rd time. And though I'm a rather quiet mom...I join in whooping at the action and singing to the rockin' soundtrack! It didn't get great reviews and I think they dropped the planned sequels because the box wasn't so great...but I have no idea why! Fire the promoters! This movie ROCKS! Matthew is quite sexy & witty...pretty normal fare. But Steve - awesome!!! I've only ever seen him as sort of a brainless sidekick...it takes a few minutes to realize it, but he carries half this movie and has some fantastic lines! Great humor! And he's far from dumb...which is a role he really deserves! Penelope was a great choice and works fine for the damsel in distress...great character that holds her own. All the other characters, as well, especially the admiral and Rudy as just as good; the cast is A+ A little mystery, a lot of action, almost as much humor, no overt sex, a little MacGyver-ism...this is ManFlick, but this ChickFlicker enjoys it so thoroughly that every time the guys want to watch it, I say sure! I wish they'd make a sequel of the same quality! I'd own it! Needless to say, this will never leave our keeper shelf. How many times can I say it; We LOVE this movie!

Meh. This will not go down in history as a memorable movie. At least not for me it won't. The only thing memorable about it would be Peter Falk's less than masterful overdoing of the Jewish father schtick. And I generally have quite a soft spot for Peter Falk... The movie overall was OK, but just in the most general sense. The plot line started out interesting but fizzled badly in the end. No real strength to the whole story. Paul Reiser did not do his best work here either. I don't think any of the actors really meshed with each other. Instead of telling a story, they kept kind of acting "at" each other. There was a woodenness about the whole effect. Even the great Olympia Dukakis could not get into her character's groove. And you only saw her for about ten minutes at the very end. But it's the worst acting I've ever seen from her, ever. Which isn't saying much, I know, because she is otherwise a fabulous actress. Let's just say her acting in this probably embarrassed all her acting coaches. It was not good. Elisabeth Perkins was pretty, as usual, but completely lacked character or depth. The few witty lines she was given somehow just didn't make the cut either. They all fell kind of flat. You somehow knew they were meant to be funny, but just couldn't see the actual funny part for yourself. All in all, a pretty ho-hum little movie that I would never take the time to watch again.

There is a reason Cotillard won an Academy Award for this movie. Incredible performance!!! Although Piaf did not have a very happy life, this movie was an accurate depiction of her career. If you are looking for pure entertainment, don't get this movie. It is a gritty account of a gutsy lady.

Another laugh a lot movie, if your feeling blue, pop one of these in the DVD player and sit back and enjoy. Its been said that this is a stupid movie, but you have to admit, sometimes stupid is just so funny. Will be looking for the rest of the series to add to my collection.

I was a bit disabpointed in this one, only because When the Sun Goes Down wasn't actually on there and thats the main reason I ordered it. But.. it is still good country music to listen to and a hot guy to watch preform.

As always, Jeff Foxworthy talks about everyday things and makes them funny. I have several of his from the Blue Collar Commedy Tour and I will add this one to the collection. When your feeling down and need a good laugh, just put in one of his CD's.

Richard Gere and Diane Lane together are outstanding. Some parts are a bit different from the book but not in a bad way. Great love story.

I loved long moments of this film. They're are a few scenes that don't seem to quite flow, but I realize they're working with pre-set musiic. Great voices, great re-master of some of my favorite Beatle's songs. Fun to watch!

Ernest was at his best in this movie. And so was his co-stars. It's is a silly movie and sometimes that's a lot better than an over the top action pack,violent movie. So get yourself a bowl of popcorn and enjoy.

I'm a fan of Tyler Perry and his movies, and this movie is definitely one of my favorites. It shows the struggle of single parent, trying to do what's best for his kids, and finding love in the process. If you like Tyler Perry, you'll definitely like this movie.

Although this is aimed at the younger viewers, I popped in this DVD for my kids, and found myself drawn into the story. It's cute, but sometimes over the top, but doesn't fail to deliver. My kids love it, I would recommend it!

Good storyline, I really enjoyed this movie, and have watched it several times.

This is Colin Farrell at his best. One of the best movies I have seen.

This show is still funny after all these years. I watched this show as a kid, and I really enjoyed the old fashioned antics of Red Skeleton.

A good comdey action movie. Sort of like Indiana Jones type only with more laughs.