Search - Bach - St. John Passion / Helen Donath, Julia Hamari, Peter Schreier, Horst Laubenthal, Ernst Gerold Schramm, Siegmund Nimsgern, Kieth Engen, Karl Richter, Munchener Bach-Orchester on DVD

Bach - St. John Passion / Helen Donath, Julia Hamari, Peter Schreier, Horst Laubenthal, Ernst Gerold Schramm, Siegmund Nimsgern, Kieth Engen, Karl Richter, Munchener Bach-Orchester
Bach - St John Passion / Helen Donath Julia Hamari Peter Schreier Horst Laubenthal Ernst Gerold Schramm Siegmund Nimsgern Kieth Engen Karl Richter Munchener Bach-Orchester
Actors: Karl Richter, Bach, Donath, Hamari, Munich Opera Bach Orchestra
Genres: Music Video & Concerts, Musicals & Performing Arts
NR     2006     2hr 9min


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Movie Details

Actors: Karl Richter, Bach, Donath, Hamari, Munich Opera Bach Orchestra
Genres: Music Video & Concerts, Musicals & Performing Arts
Sub-Genres: Music Video & Concerts, Classical
Studio: Deutsche Grammophon
Format: DVD - Color
DVD Release Date: 03/14/2006
Original Release Date: 01/01/2006
Theatrical Release Date: 01/01/2006
Release Year: 2006
Run Time: 2hr 9min
Screens: Color
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 0
Members Wishing: 2
Edition: Classical
MPAA Rating: NR (Not Rated)
Languages: English
Subtitles: German, English, Spanish, French

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Movie Reviews

Glorious performance -- DREADFUL VIDEO DIRECTION
Todd R. Schultz | San Diego, CA United States | 03/16/2006
(5 out of 5 stars)

"Five stars for the musical performance / ONE STAR FOR VIDEO DIRECTION

As expected, this is an absolutely glorious performance. Karl Richter conducts equisitely; the chorus has a gorgeous tone and sings cleanly and brilliantly. The soloists are all strong, especially Peter Schreier's glorious Evangelist. Helen Donath -- one of the greatest, most expressive and intelligent sopranos of our time -- absolutely shines in her two arias with gorgeous tone and brilliant color. And Julia Hamari, whom I did not know before, sings with a lovely richness and beauty.

The performance absolutely deserves five stars for the musical performance. But what is this with the arrogant, outrageous video direction?!

During every aria, the video director shows us close-up detail shots of a medieval painting of the Passion. Why are we forbidden to see the soloists, orchestra and conductor in such an outstanding and powerful performance? Instead, we're shown -- over and over -- slow-motion details of a static painting.

Lost is our opportunity to watch these brilliant, skilled and intelligent performers delivering their craft. It was so engaging to watch Schreier, Schramm and Nimsgern in the declamatory sections, and my heart fell with disappointment every time an aria began and the camera left the concert and returned to the painting.

In the entire piece, we see Helen Donath and Julia Hamari singing for about two phrases each. That's all!

The Matthew Passion DVD is coming out, too. I'll buy it for the musical performance, and I'll be happy to listen to the piece. But it's so depressing to know that the visual experience will be so limited."
Nicholas Philiposian | 03/21/2006
(5 out of 5 stars)

"This newly released DVD of Karl Richter conducting the St. John Passion is superb. Richter is a very good interpreter of the music of Bach. I really think that he is one of the greatest(maybe the greatest) conducter of Bach's music, especially Bach's sacred works (St. John and Matthew Passion, Mass in B-Minor, Cantata's). In this DVD, we see Richter leading his choir and orchestra with dignity, seriousness, and precision. Richter's intellectual powers and physical stamina come through loud and clear. The video segments, especially the close-up footage of the choir and orchestra, is exceptionately clear and beautiful. The choir members and singers are exceptional, especially Peter Schreier, and Helen Donath's powerful aria "Ich folge dir gleichfalls" truly moves my heart! The orchestra members (likewise) do a great job--they are professionals to the core! It is true, there is much footage of medieval paintings; but this only enhances the beauty and mysticism of Christ and His Glorious Passion, for the paintings are insync with the individual movements. Also, the subtitles are a bonus and a help! Overall this is an excellent DVD! I highly recommend it!"
Too bad the director had some new ideas
Gerhard Rotter | Orange County USA | 03/14/2007
(2 out of 5 stars)

"This is a very satisfying performance if one closes ones eyes. Unfortunately, the director had the glorious idea to show images of some iconic depictions of the story being told. To make it more exciting zooming in and out of the same picture and moving back and forth on it with (almost) no end, attempts to bring the viewer closer to the story being told. The few in between videos of the performers showed a much more passionate view, however, as soon you locked to it the cartoon show starts again. I am amazed that DG tolerated that and Karl Richter released the DVD that essentially ruined his and his participant's very good performance, at least on DVD."
Glorious music superbly performed in a now unfashionable sty
David E. Gregson | San Diego, CA USA | 02/04/2009
(5 out of 5 stars)

"When I was in college in the `60s, Karl Richter's Bach performances were considered the ultimate in historically informed performance practice. They stood apart from the gigantic romantic approaches as exemplified by Furtwaengler, Klemperer and Herbert von Karajan. In America, the Richter LPs on the ARKIV label were sold in the better record shops - and as I recall, they were always imported from Germany and were a bit costly (especially for young people on a college budget). I adored Richter's B Minor Mass and St. Matthew and St. John Passions. When mono went out and stereo came in, I had to replace some of the stunning, linen-bound albums. I still have them, the discs only moderately crackly sounding despite their age.

What a joy to discover that back in those dark days of audio-only music at home, somebody actually filmed Richter in action! For me it's a nostalgic journey back into a past I never "saw," and with scratch-less, wonderfully high-fidelity audio beyond anything I could have imagined in college!

Of course, historically informed performance practice has left the once "purist" Richter far behind, and many younger people actually sneer at the work of a chorus and choir Richter himself created for the glory of Bach - and/or God, depending on one's understanding. I am old enough to see all musical paradigm shifts as a matter of fashion as much as anything else. Perhaps John Eliot Gardiner and Nikolaus Harnoncourt will be considered "impure" and sadly wrong-headed someday.

The major disappointment of this DVD release is the work of the film's director, Arne Arnbom, who never gives us a single establishing shot to let us know where we are or to give us any context for the endless close-ups of presumably medieval passion paintings. What church is this? Whose paintings are they? Are they painted on a wall or in a book? Many, many times we do not even know exactly who is singing because the camera simply does not show us! Only at some spot well into the film do we get a glimpse of Richter switching from baton to sitting at the harpsichord. It is truly maddening! You almost have to see it to believe it. Richter has wonderfully expressive hands -- but we see them only very briefly in over two hours of music. At the end, only the faces of a few of the soloists remain distinct in one's mind. I was amused, however, that placards spelling out the texts of the chorales (in German) flash on screen when appropriate - so we can sing along at home!

The accompanying booklet is of no help in getting much more information about the venue or anything else. I think the church interior is the Monastery Church Diessen, Ammersee. I also am assuming the film is film and not videotape. I do not recall high quality videotape being in use in the late`60s or in 1971 (when the Richter Mass and Passions were imaged), but I may be wrong. Certainly the first VHS home recorder/players only began appearing in 1972, with the ultimately doomed Betamax format arriving about 1975. I'd love to more technical details about these Richter DVDs.

The audio balances, by the way, are way off from what one might hear in reality -- but it's difficult to complain about otherwise excellent stereo sound. Today's super-high standards, of course, are not to be expected.