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Feast Of All Saints
Feast Of All Saints
Actor: *
Genres: Action & Adventure, Indie & Art House, Drama, Science Fiction & Fantasy, Television
R     2005     3hr 32min

Anne Rice?s The Feast of All Saints is a tale set in 1840?s New Orleans about "free people of color", who formed their own class at a time when the predominant role of blacks in society was as slaves. The film focuses on t...  more »

     
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Movie Details

Actor: *
Genres: Action & Adventure, Indie & Art House, Drama, Science Fiction & Fantasy, Television
Sub-Genres: Action & Adventure, Indie & Art House, Love & Romance, Science Fiction & Fantasy, Television
Studio: Showtime
Format: DVD - Color - Closed-captioned
DVD Release Date: 10/18/2005
Original Release Date: 11/11/2001
Theatrical Release Date: 11/11/2001
Release Year: 2005
Run Time: 3hr 32min
Screens: Color
Number of Discs: 2
SwapaDVD Credits: 2
Total Copies: 0
Members Wishing: 5
MPAA Rating: R (Restricted)
Languages: English

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Movie Reviews

Anne, they still butcher your books!
Jameela K. Abdulghani | PA, United States | 10/16/2003
(3 out of 5 stars)

"I had an interest in this story both as a woman of color and as an Anne Rice fan. After reading this book about 6 years ago, I became very passionate about it being made into a film. When I heard finally that they were going make the film and how perfectly they cast the roles I became obsessed with seeing it. Yesterday when I finally saw it (I did not have Showtime when it came out), I felt they rushed it like a bad pornography. We learned too early in the film what Lisette's relationship to Marcel was or why Richard needed Marcel to "be a brother" to Anna Bella. They definitely did not capture the importance of Christophe to the entire society .I personally felt that they only needed the talented James Earl Jones at the very end and perhaps in the beginning.
EVERY actor in this film has proven thier talent over and over again in other films yet I think with the rushed dialouge they were not given the opportunity to show the talent they usually have. Each actor , later in the movie, had moments where they shone, but only Eartha Kitt , as usual, stood out from the moment that you saw her.
It amazes me to this day that Americans of all backgrounds still pretend that people of color, no matter how light they are, have no connection with the "white" people of this country. I had hoped that this movie would be so powerful that it would make all of us think. I think this was a good movie, but not as great as it could be.
To Anne Rice fans who read Queen of the Damned first and THEN saw the movie you will feel the same way about this movie.
...Why did they bother making this a two part series if they were going to gloss over important points?"
Beautiful movie
11/22/2003
(5 out of 5 stars)

"i [tried] to read this book, but couldn't get past the first 250 pages or so. while it was fascinating to read and i found the characters intriguing, i didn't have the TIME to sit down and read it through: the pacing was entirely too slow. so, i put it down and promised myself to 'come back to it,' wishing SOMEONE would adapt it to film so that i could have time for the actual STORY.i was thrilled when i discovered this dvd at the local blockbuster. the film, which outlines the lives of one french-creole-haitian family in louisiana who--by a series of questionable and irreversible decisions made through generations--enjoyed the privilege of being part of the 18,000-strong community of those both black and free in early-1800's louisiana, is paced WONDERFULLY.i found that the film adaptation was true to what i'd read in the book and the characters, except for anna bella who i thought would look more african, were just as i had imagined them in my mind. this is def. the best book-to-film I'VE ever seen. the movie was beautiful to look at and of altogether intriguing subject matter. I WAS NOT DISAPPOINTED. on the contrary, because it was a made-for-tv movie, i was expecting quality far LESS than that which i actually saw. the relationships between the characters were believable, as was the plot of the film. it's about 3 1/2 to 4 hours long, but it certainly didn't feel that way. in fact, i was disappointed when it ended. the acting was great (the accents, less so). and my goodness, the cast read like a who's who in black hollywood. forest whitaker, pam grier, jasmine guy, ruby dee, ozzie davis, james earl jones, eartha kitt, goodness...the list goes on. however, those that were newer to me, such as the films protagonist marcelle (robert richard) did as well--sometimes better--than the veterans.i love historical movies, especially those about wwii and america in the 1800s. this is the best movie of the latter category i've ever seen. it neither over-dramatizes or under-dramatizes the situation of the people it depicts (which is more than what u can say for classics such as 'gone with the wind'). i'd recommend this one to anyone."
Anne Rice - why do you let them adapt on their own?
Brett D. Cullum | Houston, TX United States | 12/03/2003
(4 out of 5 stars)

"Anne Rice has had a troubled history with her books turning into films. Unrecognizable adaptations of EXIT TO EDEN and QUEEN OF THE DAMNED are more frequent than quality films such as INTERVIEW WITH A VAMPIRE. Here you have a half and half treatment of a novel that dealt with people who were half black and half white! Parts of it are true to the novel and its characters, and then parts will leave you scratching your head wondering where they got something. Anne Rice should step in more often and make sure these things are done right, but alas ... this one is close! Pretty pretty sets, costumes, and actors bring to life a story of racial identity crisis in the South of the 1800s. New Orleans before the slaves were free had a third race of people who were neither black and slaves nor white and truly free. They lived on a fringe of society, and had to arrange their lives carefully or pay for the consequences. Educated bohemians they became the basis for the creoles! It's an oft ignored subject of American history, and a beautiful story told in rich detail. The book has the luxury of its own pacing, and here the movie has to step quickly to keep up! So some of this feels rushed. But they got the right people! Famous black actors mix with unknowns, and they all come out fine and noble. Even if the dialogue or pacing does not always seem to be on their side. But worth a look! Then read the far superior novel."
My take on this movie
La Reyna | USA | 11/19/2004
(5 out of 5 stars)

"My take on Anne Rice's Feast of All Saints

A beautiful movie about America's least known group of People in Antebellum Louisiana, Gens de Colour. As a woman of African, American Indian, and White ancestry, I've always been fascinated by those people in New Orleans who formed an aristocracy unto themselves and were free. They have their rituals, customs, and amusements such as the famous Quadroon Balls. They have rights and freedoms that most blacks and multiracials, slave and free, in antebellum America didn't have, yet they were not completely free because the power elite of that time didn't want to share power with the free people of color. They may conduct business with them, but refuse to invite them to their houses for dinner or social function.

Anne Rice has done an excellent job telling the story through the eyes of young Marcel, who came of age at 17, was promised by his absentee father an education abroad. However, because of the racism and jealousy of the Ferronaire family as well as the economic troubles at Bontemps, he was denied his lifelong dream of going there to pursue his prestigious education at the Sorbonne. He took matters in his own hands and went to the plantation where his father lives and was forbidden by his father to visit there. It was there where Marcel was brutally whipped and kicked by his own his father, in the presence of his estranged wife and children. What man would abuse his own flesh and blood? It has to be motivated by race and class: Marcel must learn his place in the white world of 19th-Century Louisiana. He learned it the hard way through the denial of privileges his absentee father enjoy as well as his humiliation and abuse by M. Ferronaire. He now learned that he must cast his allegience to people of color, whose lives have been shaped by society's limitations and its racist, classist behavior and ritual. Also, Marcel learned more about slavery, the war in Saint Domingne(Now Haiti), the limitations placed upon free people of color, the slave status of his half sister Lisette, who has the same father as he: she was the product of a liaison between Ferronaire and Zazu, a very handsome black slave woman from the Ferronaire plantation. He was upset at his mother for being ignorant of history, for her adopted mother brought her from Saint Domingue during the war of independence from France and like Lisette, a product of a liaison between a rich white planter and a beautiful black slave mother who is unnamed in both novel and film adaptation.

His mother's insane devotion to her absentee protector didn't help Marcel's recent problems, yet he must leave his family to live at his schoolteacher's house or else they lose monetary and material support from M. Ferronaire. Humiliated and hurt, Marcel offer himself to him, but Mercier refuses, citing his childish dependency upon others, especially by those whom didn't truly love him. His father was a prime example.

The free multiracial women of New Orleans were in a very precarious position. While they were praised for their "exotic" beauty, they weren't allow to marry white men. Pernicious class prejudices made it difficult to marry free multiracial men for that meant lower social status. Some of the women chose convent life, but even that is out of the question for most of them. So they settle into a lifestyle of their mothers: That being a well-kept mistress of a white man. Only certain white men qualify. He has to be wealthy, refined, educated, and of the upper class. Those women wouldn't settle for less. Case in point: The argument between Cecile Ste Marie and her daughter over her daughter's position. When Cecile's daughter Marie chose to be married to Monsieur de Lemontant's son, she was very furious at her choice, for she is expected to follow her mother in the tradition of having a wealthy, refined white man as her protector. She recently lost her lover in death who didn't bother to leave her family any provision in the event of his passing. Marcel's exile in San Souci and her daughter's pursuit of Richard Lemontant didn't help her current financial woes. She summon her long-neglected daughter to discuss about the situation and for her to accept placage, which her daughter consider it another form of slavery in a gilded cage without the benefits of marriage. They had a very heated argument over it that caused her mom to summon her less than respectable friend, Dolly Rose to her house to help Marie to see that her decision of marrying Richard isn't in her mom's best interest. She steadfast held to her position which led to disasterous consequences afterwards.

I couldn't forgive Cecile St. Marie for the neglect of her daughter, indifferent to the suffering her son had at the hands of his callous and insensitive father, the brutal rape of her daughter, and the suicide of their half-sister Lisette after the incident at the voodoo brothel. He finally found peace with his people, gens de colour libre at the end of the movie. He decides to become a photographer and to work with the people in his hometown instead of studying abroad. He also found renewed love from Anna Bella Monroe played by Bianca Lawson from "Save the Last Dance." Anna Bella emerge as the stronger character in all of this and much more, even with the placage with Aglae's brother and eventual abandonment by him. He didn't left her in poverty, for he left her the house along with all the possessions as well as lifelong monetary support which Philippe didn't do for the Ste. Marie family.

I wish Americans know more of this least-known group of people andstop the unnecessary divisions among the human race. America needs to acknowlege their ties to one another, that racial/ethnic category terms such as "blacks" and "whites" are just artificial social categories design to keep people apart and resentful of one another. We are one people regardless of our various racial and ethnic origins.

I recommend this movie to those who want to know the whole truth about American history instead of the doctored version parroted by the media and educational system.
"