Subject: I have found a DVD that I think you would enjoy
|Foolish Wives / The Man You Loved to Hate|
Actors: C.J. Allen, Mae Busch, Rudolph Christians, Nigel de Brulier, Miss DuPont
Genres: Classics, Drama
Another great Kino Video double feature!
Barbara (Burkowsky) Underwood | Manly, NSW Australia | 05/22/2004
(4 out of 5 stars)
"This new release of "Foolish Wives" is said to be longer than previous releases, thanks to the American Film Institute's restoration efforts to salvage some scenes that were taken out before - which probably explains the varying degrees of picture quality at times. Aside from this, however, the movie with its plot, attention to detail and characters are altogether superb and very enjoyable. The first stages of the film might seem to move slowly as characters are introduced, but scenes of bustling Monte Carlo (which was in fact just in Hollywood!) make every minute worth while and enjoyable to watch. There is always some intrigue and suspense as the plot unravels to its climax, and Erich von Stroheim doesn't disappoint in his 'bad guy' role as he manipulates women to give him money while having a roving eye on several others as well. This is one that he also wrote and directed, and it's a bit of a pity that his idealistic vision for this film wasn't fully realized because it had to be cut down to size. Nevertheless, the main points and ideas come across and it's definitely a quality movie worth watching.
The second part on this DVDis a documentary on Erich von Stroheim showing excerpts from his best known films, comments by various people about his work and private life, and an overview of his whole life. It brings out von Stroheim's pedantic perfectionism and attention to detail which cost him several directing jobs, and which led him him to move to France in later years and resume a more successful acting career later. I'm quite sure this is the same documentary as the Hollywood series of the 1970s on VHS, but nevertheless interesting to watch and good to have on this new DVD release. There are also some good special features including audio commentary, gallery of stills, memos and other bits and pieces, making this DVD an excellent buy for the von Stroheim fan and general movie buff alike."
A Legendary But Seldom Seen Classic of the Silent Era
Gary F. Taylor | Biloxi, MS USA | 03/22/2005
(5 out of 5 stars)
"Today Erich Von Stroheim is best recalled by the general public for his appearances in such films as the 1950 SUNSET BLVD--but fans of silent film know him as one of early cinema's great directors, creator of such films as BLIND HUSBANDS, FOOLISH WIVES, and the legendary masterwork GREED. This Kino Video feature not only offers the seldom seen 1922 FOOLISH WIVES, but a portrait of the eccentric and highly controversial man as well.
Although some question remains, FOOLISH WIVES is generally believed to be the first film made that cost one million dollars. In the modern era, when film budgets often run into many millions of dollars, this may seem slight--but in 1922 Universal Studios was staggered not only by the costs, but by Von Stroheim's seemingly endless shooting schedule; at a time when most movies were made in six weeks or less, FOOLISH WIVES took a year or more to complete and threatened to bankrupt the studio.
The circumstances brought Von Stroheim into direct conflict with production manager Irving Thalberg, who threatened to replace him with another director. By most accounts, Von Stroheim laughed in Thalberg's face: not only was he director, he was the star as well, and if he were fired the film would never be completed. Thalberg and Universal had little choice but grin and bear it... but it was something Thalberg would recall several years later, much to Von Stroheim's chagrin.
Set in post-World War I Monaco, FOOLISH WIVES presents the story of the ultra-amoral Count Wladislaw Sergius (Von Stroheim) and his two supposed cousins Olga (Maude George) and Vera (Mae Busch) who present themselves as wealthy Russian nobility--but who are in fact a trio of vicious con-artists who generate cash flow by passing counterfeit bills through Monaco's legendary casinos. Eager to deflect suspicion, they scrape acquaintance with an American diplomat and his wife (Rudolph Christians and Helen Hughes)--and in no time at all the naive wife is so much putty in the Count's diabolical hands.
Von Stroheim recreated a fairly large chunk of Monaco on the Universal back lot, and the sets, costumes, and crowds of extras still put most modern productions to shame. But the film's real fascination are the deadly trio of Maude George, Mae Busch, and most particularly Von Stroheim himself. Within the first few minutes of the film he contemplates advances upon an attractive but mentally deficient young woman--and as the plot unfolds we discover that he has seduced the maid with a promise of marriage he does not intend to keep. This, of course, does not prevent him from taking her life savings for a little gambling money when the need arises!
The overall cast is quite good, with Miss DuPont a stand out as the diplomat's wife, and the cast plays without recourse to the broad mannerisms often seen in many silent films. But what drives the film is our curiosity at how far Von Stroheim will take both the film and his own performance. The answer? Plenty far indeed. It's all fascinating stuff, and truly this is the film that gave Von Stroheim the title of "The Man You Love To Hate."
FOOLISH WIVES was soundly condemned by the moral authorities of the day, and Universal lost a bundle on the project. In an effort to recoup some of the loss, the studio cut and then recut the film to a more reasonable length for distribution; as a result, great chunks of the film were lost. While a "complete" version is an impossibility, this Kino Video release offers a best-possible version, restoring every scrap of film available. The accompanying profile of Von Stroheim, titled THE MAN YOU LOVE TO HATE, is also quite interesting.
FOOLISH WIVES inevitably pales in comparison to Stroheim's later GREED, but it is a remarkably fine, remarkably watchable silent--and the two films would have a circular effect. For when Von Stroheim went to Metro to film GREED, he eventually found himself face to face once more with Irving Thalberg... and this time Thalberg, who well recalled the financial disaster of FOOLISH WIVES, would have the upper hand. Strongly recommended, not only for the film itself, but for the backstory involved.
GFT, Amazon Reviewer"