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Good Morning, Night
Good Morning Night
Actors: Maya Sansa, Luigi Lo Cascio, Roberto Herlitzka, Paolo Briguglia, Pier Giorgio Bellocchio
Director: Marco Bellocchio
Genres: Indie & Art House, Drama
NR     2006     1hr 46min

Internationally acclaimed and award-winning director Marco Bellocchio (My Mother's Smile, Devil in the Flesh) delivers a film of devastating emotional power based on the shocking true story of the 1978 kidnapping and murde...  more »


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Movie Details

Actors: Maya Sansa, Luigi Lo Cascio, Roberto Herlitzka, Paolo Briguglia, Pier Giorgio Bellocchio
Director: Marco Bellocchio
Creators: Pasquale Mari, Marco Bellocchio, Sergio Pelone, Anna Laura Braghetti, Daniela Ceselli, Paola Tavella
Genres: Indie & Art House, Drama
Sub-Genres: Indie & Art House, Drama
Studio: Fox Lorber
Format: DVD - Color,Widescreen - Subtitled
DVD Release Date: 03/21/2006
Release Year: 2006
Run Time: 1hr 46min
Screens: Color,Widescreen
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 0
Members Wishing: 1
MPAA Rating: NR (Not Rated)
Languages: Italian
Subtitles: English

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Movie Reviews

Largely speculative true life account
Roland E. Zwick | Valencia, Ca USA | 12/23/2006
(4 out of 5 stars)

"On March 16, 1978, Aldo Moro, the Prime Minister of Italy, was kidnapped by a group of Communist revolutionaries known as the Red Brigade and held in captivity for 55 days. Through letters and photos sent by the kidnappers, the authorities learned that Moro had been given a "trial" by the Red Brigade and sentenced to death for his crimes against the proletariat of Italy - and, indeed, on May 9th of that year, his body was found, riddled with ten rounds of bullets, in the trunk of an abandoned car.

In "Good Morning, Night," writer/director Marco Bellochio takes the events and drains them of much of their sociopolitical significance, choosing instead to focus on the human drama at the story's core. Bellochio looks at the ambivalent feelings and conflicted motives underlying the kidnappers' actions, particularly in the case of an attractive young woman named Chiara (confidently played by Maya Sansa), who comes to question her commitment to "the cause" as the reality of what they are planning to do begins to sink in. It is largely through her eyes that we come to view the events and to see Moro less as an impersonal force to be manipulated for political purposes and more as a simple human being with all the fears, insecurities and desperate desire for life common to us all. Indeed, the political aspects stay largely in the background, relegated mainly to clips of stock footage showing us the principal players of the time dealing with the crisis.

With its dreamy visions, fantasy sequences, and tendency towards wild speculation, the film may frustrate those who would have preferred a more historically accurate, documentary-style approach to the topic. But Bellochio, as an artist, is less concerned with the "facts" of the case than with exploring the dilemma of the revolutionary's mindset. And to that end, he has done an exemplary job in "Good Morning, Night.""
No Turning Back: Quiet and Intelligent Study of Human Nature
Tsuyoshi | Kyoto, Japan | 10/23/2006
(4 out of 5 stars)

"`Good Morning, Night' is based on the kidnapping and killing of Aldo Moro in 1978 by a group Red Brigade. The film is, however, less about why (or how) the country's former prime minister was abducted and killed -- it avoids describing the atrocity itself - than a careful psychological study of four actual kidnappers, especially that of the only female member, who slowly realizes that she made a terrible mistake between her ideal and reality.

You don't need much knowledge on Italian political history to watch `Good Morning, Night.' It is about young librarian Chiara (Maya Sansa), who keeps Moro under lock and key during 55 days in a make-shift cell made in a small apartment room. The film depicts the whole events seen from the viewpoint of Chiara, who apparently undergoes a spiritual change through overhearing the conversations between Moro and other kidnappers.

Director Marco Bellocchio employs a unique approach to deal with this tough subject matter, which you may or may not like. He not only inserts the real news footages about the incident, but also the historical stock footages (like that of Stalin) in several key scenes. In making juxtapositions, some of which are disturbing, Bellocchio asks us the meaning of what they have done, and would have done.

But the most impressive and touching part is the film's detailed descriptions of the characters. During the film the terrorists are never seen using violence, but we know they killed (the prime minister and the bodyguards before that). Moro quietly asks them to send his letter to his family, and even to the Pope, and the kidnappers allow it. At one scene Chiara is found silently crying listening to the words of Moro's letter. Still we know that they are all doomed in a different way.

Maya Sansa plays a pivotal role in `Good Morning, Night' and her subdued acting as Chiara encompasses a wide range of emotions. She is simply amazing, one of the reasons you should see this film.

You can watch `Good Morning, Night' as political or historical drama, but it works better as examination of human nature which is tested under an unusual situation. It deals with Italian history, but the theme is universal and immediate."
The Red Brigade
Enrique Torres | San Diegotitlan, Califas | 02/19/2008
(4 out of 5 stars)

"This is a well done movie that deals with a disturbing bit of history from Italy's recent past, 1978 to be exact. It concerns the infamous Red Brigade, a group of Marxist terrorists who are bent on making change at any cost. In this case the kidnapping of the President, no less! Shocking as it may seem , they not only kidnapped him but also murdered him. The movie focuses on the people invloved in the plot and their roles, their individual moral compases and the collective spirit that moves people beyond their oridinary existences. Much of the movie utilizes the ordianry to make the extraordinary events come to life. President Moro's captivity and the less than daunting task of the terrorists job, to fit into society, unnoticed, carry on as though nothing is happening, is amazing. They are captives by their own doing. The veteran Italian director, Marco Bellocchio L' Ora di religione (Il sorriso di mia madre) creates a movie that is part documentary, intermingling actual time period footage, a study in human character, that is, human drama and a political thriller. Maya Sansa, Gasoline, who plays the female terrorist,Chiara, is a character that one almost(if not for her political act)feels sorry for as she is revealed to be a person caught in a web; she even questions the legitimacy of the groups motives and hence her own. In the end though, there is only one person deserving of symphathy and that is President Moro and his family.Since most of the action takes place in an apartment, that is serving as the cell for Moro and his captors, it becomes a little claustrophobic and uncomfortable to watch. This is a nice technique that makes for a real tense situation.The movie is as much a study in human behavior as it is a political thriller. This film should appeal to those who like an occasional dose of reality thrown into their movie watching. The film is in Italian with English subtitles. Recommended for foreign film aficionados."
A Remarkable Depiction of a Perplexing Coups
Grady Harp | Los Angeles, CA United States | 08/16/2006
(4 out of 5 stars)

"Marco Bellocchio takes a lot of chances in his films, examining human behavior in the face of dissension whether political, moral, or emotional. In 'Buongiorno, notte' ('Good Morning, Night') he studies the infamous 1978 kidnapping of Aldo Moro in what would be a situation that would raise as many questions as it gave answers - and it is that quality that Bellocchio has captured in his film.

The facts of the Italian political current in 1978 may not be understood by the general viewer, but suffice it to say that the ruling political party Democrazia Cristiana was challenged by the Red Brigade, the underground terrorists who kidnapped and killed President Aldo Moro in a coups that was eventually destroyed by the reigning powers. That much of a plot is all that is necessary to know. The bulk of the film revolves around the lives of the kidnappers, especially the sole woman Chiara (Maya Sansa) who with her compatriots hid the President in a tiny room with the threat of death, but also were influenced by the writings and conversations with Moro. The whole question of revolution is under close inspection. The story mixes documentary shots with the cinematography in a tasteful way of showing us the elements of the kidnapping and the aftermath. It is the reaction of Chiara to these events and the questioning that can disrupt the political leanings of revolutionaries that makes this story so very meaningful.

The cast is superb: Maya Sansa, Pier Giorgio Bellocchio, Giovanni Calcagno, Luigi Lo Cascio and Paolo Briguglia as the kidnappers, and Roberto Herlitzka as Aldo Moro are convincing and human. The script does have holes in it where formation of ideas and acts and incidents are vague, but it almost seems as though that is the intention of Bellocchio. In political upheaval nothing is black and white if the events are related through individual's eyes rather that through the reaction of the mobs. And this is what makes the film so fine, if a bit hard to follow. Grady Harp, August 06"