Subject: I have found a DVD that I think you would enjoy
|On Her Majesty's Secret Service|
Actors: George Lazenby, Diana Rigg, Telly Savalas, Gabriele Ferzetti, Ilse Steppat
Director: Peter R. Hunt
Genres: Action & Adventure, Indie & Art House
Australian model George Lazenby took up the mantle of the world's most suave secret agent when Sean Connery retired as James Bond--prematurely, it turned out. Connery returned in Diamonds Are Forever before leaving the rol... more »
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Keith A. (Keefer522)
Reviewed on 10/14/2013...
In George Lazenby's one and only turn as 007, James Bond travels from Italy to the Swiss Alps, where he romances a Countess (Diana Rigg) and uncovers a secret plot by the evil Blofeld (Telly Savalas) to sterilize the world via biological warfare.
A lot of Bond fans seem to hate "O.H.M.S.S." but I was quite impressed by it. Lazenby's performance as Bond was adequate (he had the self-assured smirk of Connery and can brawl with the best of 'em), Diana Rigg was purty, and though the film is a bit longer than it really needs to be, the last hour is just one cool action sequence after another.
Lazenby probably would've turned into a pretty decent Bond if he'd stuck with the role for more than one film. Legend has it that he declined to return thanks to some poor advice from his management, who advised him that the Bond character would be "passe" once the swingin' 60s ended. Great career move there, George.
Even Ian Fleming would have approved. . . .
John A. Kuczma | Marietta, GA USA | 12/06/1999
(5 out of 5 stars)
"Many years ago, long before James Bond became the high-tech hero of the movie set, there were a set of fascinating books written by a gentleman named Ian Fleming. These books were about a superior British Intelligence agent, code name 007. With due regard to Sean Connery and the equally effective Timothy Dalton, George Lazenby, the star of On Her Majesty's Secret Service, is by far the closest of the Bond actors to the character of the books. There is nothing charming or even particularly likeable about the James Bond of print. He is a totally non-descript character who can easily disappear into any crowd; a cold-blooded killer who will accomplish his mission regardless of the cost. Connery came close in Dr No, Tim Dalton even closer in License to Kill but both are too physically attractive to accurately depict 007. In these regards, Lazenby excels in his protrayal of Bond. This story is a gripping, emotional tale of an agent committing the ultimate sin, getting involved with another individual involved in a mission. All of the normal Bond components are present; gadgetry, high-speed chases, lots of explosions and lots of pretty girls. This one goes one step farther, giving us a truly malevolent villain (played brilliantly by Telly Savalas)and Bond's only true romantic interest (played equally brilliantly by Diana Rigg). The action is non-stop, the locations are beautiful, the soundtrack one of the best. The climax is one of the most gut-wrenching ever placed on film.On Her Majesty's Secret Service has often been placed at the very bottom of the long list of James Bond vehicles. It doesn't belong there. This is an outstanding film with a truly outstanding cast. Give it a try. You won't be disappointed."
George Lazenby Is James Bond on this Essential DVD
gobirds2 | New England | 01/02/2007
(5 out of 5 stars)
"I would have to say that this is the best DVD of this latest round of release of the Bond films. The extras are certainly substantial and worth having.
My initial reaction to seeing this extraordinary film on its first release was summed up in one indelible question that I kept repeating over and over again to myself. If Sean Connery decided not to appear in a Bond film, why did it have to be this one? This film brought the series to a culmination of emotional fervor. It was the first film to address James Bond, the man. It seemed to have been made for Connery. This is the one we had been waiting for. I thought it was an excellent film, but Connery wasn't in it. Yet, I also could not get the image of George Lazenby out of my head. He looked the part and there was something very unique about his facial features. Many critics said his performance was bland. Even if they were right Lazenby still possessed the physique and physical attributes that really fit the part and again his unique looks just added to the wordily and masculine aura he exuded. I went to see the film three more times. I really liked it. I missed Connery, but I still couldn't get the screen image of Lazenby out of my head. I did some real self-analysis of this film over the next two years. I started to read the Fleming books. To my amazement they were very dry yet very interesting and appealing at the same time. Fleming single-handedly drew the reader into the world of James Bond whereas the filmmakers achieved the same result in a collective effort of talents. When I read "Dr. No" and "Thunderball" I visualized Sean Connery or someone vaguely familiar to him yet not with his sardonic humor. When I read "On Her Majesty's Secret Service" I could visualize no one other than George Lazenby. As it turned out ON HER MAJESTY'S SECRET SERVICE is the one film closest to any Fleming novel of the same name. I began to see the merits of Lazenby. The filmmakers had gone out of their way to make this the epic Bond film. The introduction of Lazenby as Bond was a well thought out and well crafted piece of pure cinema. There is no dialogue and only the strains of the James Bond Theme in another innovative interpretation by John Barry are heard. Less dialogue is better. Let the images tell the story. In the case of George Lazenby that's what worked best for him. Early on in the film he is having a bad night at the tables and you can see the disgust on his face as he deals out another loosing hand. He breaks into Gumpolt's office and penetrates his safe with assuredness and conviction while under the clock. This well directed scene is nerve racking and suspenseful again played without dialogue. The editing, music and Lazenby's presence make this another tour de force of pure cinema. It wasn't until the release of DIAMONDS ARE FOREVER that I realized that ON HER MAJESTY'S SECRET SERVICE was the best Bond film for me. The combined efforts of all the filmmakers and Lazenby's performance of a James Bond with conviction, assuredness and determination made this the definitive James Bond film. The film had a sense of real drive behind it accentuated by Lazenby's no-nonsense approach and the urgency of John Barry's instrumental theme used repeatedly to never let up the pace. If James Bond was ever the dedicated civil servant it was in this film. I can't even imagine Sean Connery in this film any more. The filmmakers traded in Connery's worldliness for Lazenby's energetic determination. It seems apparent that Lazenby probably looked to DR. NO for inspiration. FROM RUSSIA WITH LOVE is considered to be one of the better Bond films in the series. It follows the directorial style of DR. NO. Sean Connery in FROM RUSSIA WITH LOVE continued his portrayal of the character in the Fleming literary mold, but refined his performance adding more depth to the character's worldliness, intellect, social graces and wry humor. Lazenby reverts back to the James Bond we saw in DR. NO concentrating on his resoluteness and tenacity as the man with a mission who will not be deterred until the opposition is completely vanquished. Lazenby's scenes with Diana Rigg as Tracy, his bride to be, showed genuine compassion and depth. This was Bond's only true love interest up to that point in the series. Connery had showed genuine subdued sorrow tinged with anger at the death of Jill Masterson and her sister Tilly Masterson in GOLDFINGER and again with Aki in YOU ONLY LIVE TWICE. However, I don't see how any actor could have given a better reaction as George Lazenby did to the death of James Bond's new bride slumped over limply into his lap. George looked like he was really hurt as he buried his head onto the Tracy's lifeless body. This Letterbox VHS version of ON HER MAJESTY'S SECRET SERVICE is excellent and does real justice to this epic film.
This DVD is astounding. The restoration of the visuals is amazing. The digital sound has been laboriously enhanced for true stereo separation. You can even very clearly hear source music that was in the background. For instance, you can now plainly hear the guitar melody that was playing in the scene between Bond and Draco while they were discussing business while overlooking the bullfight on Draco's estate. The extras are very good too. This DVD contains SWISS MOVEMENT a great documentary introducing George Lazenby and showing off the entire cast and great location work in Switzerland. It remains very good to this day. Some of the other extras touting George Lazenby as the new James Bond are enticing. Peter Hunt's commentaries during the film are very insightful as was George Baker's contribution. This is a required DVD edition if you truly embrace this film.
The BEST Bond Film, Period...
Nebraska Jack | Lincoln, Nebraska, USA | 04/29/2005
(5 out of 5 stars)
"Why, you ask?
1. This is the film which most closely followed Fleming's original novel. Even "Goldfinger" took more liberties. This is an almost page for page rendition of one of the best books.
2. Lazenby > Bored Connery. Though he didn't have the pedigree of Connery (or any of the others, right through Brosnan), Lazenby not only held his own in the part, but after seeing Connery sleep through the later films (and do it again in the retched "Diamonds Are Forever"), he was a breath of fresh air.
3. Low budget, by Bondian standards. No big volcanos filled with henchmen. No ninjas. No Outer Space. No big set pieces at all.
4. Gorgeous cinematography. You really feel like you're in the mountains.
5. "Kojak" strikes just the right cord as Blofeld - somewhere between the earlier "sitting around stroking an evil cat" version and the cross-dressing, fancy lad Charles Gray edition (BTW, can you tell I HATED Diamonds Are Forever?).
6. Diana Rigg is to this day the most beautiful Bond Girl, and the romance is believable and sweet.
7. The Best Bond Theme. The only close second is McCartney's "Live And Let Die." And the best credit sequence - the montage of earlier films is brilliant.
8. The wonderful Louis Armstrong melody, last heard in "The Jacket."
9. Most of all, the downbeat ending. Gut-renching and out of character for the series.
This is the Bond film to end all Bond films."