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Sleeping Beauty (Two-Disc Platinum Edition Blu-ray/DVD Combo + BD Live) [Blu-ray]
Sleeping Beauty
Two-Disc Platinum Edition Blu-ray/DVD Combo + BD Live
Actors: Mary Costa, Bill Shirley, Eleanor Audley, Verna Felton, Barbara Luddy
Director: Clyde Geronimi
Genres: Kids & Family, Animation
G     2008     1hr 15min

Awaken your senses to the majesty of SLEEPING BEAUTY Walt Disney's ultimate fairy tale. See more than you've ever seen before through the magic of state of the art technology and experience this groundbreaking film restore...  more

     

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Movie Details

Actors: Mary Costa, Bill Shirley, Eleanor Audley, Verna Felton, Barbara Luddy
Director: Clyde Geronimi
Genres: Kids & Family, Animation
Sub-Genres: Animation, Animation
Studio: Walt Disney Studios Home Entertainment
Format: Blu-ray - Color,Anamorphic - Subtitled
DVD Release Date: 10/07/2008
Original Release Date: 01/01/1959
Theatrical Release Date: 01/01/1959
Release Year: 2008
Run Time: 1hr 15min
Screens: Color,Anamorphic
Number of Discs: 3
SwapaDVD Credits: 6
Total Copies: 0
Members Wishing: 44
MPAA Rating: G (General Audience)
Languages: English, French, Spanish
Subtitles: English
See Also:

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Movie Reviews

Still Looks Great
Marc Ruby? | Warren, MI USA | 11/26/2003
(5 out of 5 stars)

"I vividly remember the release of Sleeping Beauty. I was old enough to go see it myself - just barely. There I was sitting way up front eating my popcorn and all of a sudden this spectacular dragon materialized right before my eyes. Popcorn forgotten, I was hooked. Cartoons never looked the same to me, and I spent the rest of my life inhaling fantasy and science fiction on a quest for the same thrill.Animation has changed quite a bit in the ensuing years, but even today Sleeping Beauty is a towering achievement. Now I'm more sensitive to the tricks of the art and can see the masterful use of perspective that made the scenes leap out at you. When I first picked up this DVD I half expected to be disappointed, to find it really wasn't so glorious in retrospect. This is hardly the case - this film is just as vibrant and alive as it was in 1959.The added dimension now is that I can see how Disney's work was a formative influence on animation even today. Artist/Directors like Miyazaki owe much to this film and its predecessor Snow White. And they freely admit it. As a production, Sleeping Beauty created a sense of legitimacy for animation that proved that high quality animation was something well beyond the Saturday morning funnies.Disney took a great risk when creating this film, pouring a tremendous amount of resources in making it something as perfect as was possible for his time. While the studio reaped the financial benefits, the audience was the real winner, as a whole genre exploded before our eyes. Even now, with anime rapidly becoming a force to be reckoned with, this film stands out for story, art, and music.The additional features, especially those that retell the making of the film, are excellent as well. All captures in fine detail on this DVD. This is a must see for anyone who still loves a fairy tale."
Once Upon A Time In 1959: A Disney Masterpiece
Rachel Garret | Beverly Hills | 05/07/2003
(5 out of 5 stars)

"1959: Disney's presence had already been established. "Snow White" was the first animated film ever to grace the big screen and Disney had dazzled audiences with the 1940 "Fantasia". But in 1959, "Sleeping Beauty" won the hearts of fairy tale lovers, romance lovers and the young at heart. Disney was back in the saddle. The animation to the Sleeping Beauty was taken from the greeting card designs and artwork of a 50's artist. Set in the medieval 14th century, at times resembling the beautiful tapestries and cathedrals of the day, Sleeping Beauty is embellished with cool hues of purple, blue, green and black. A magic romanticism fills the air from start to finish. The score to the film was taken from the ballet music of the Tchaikovsky ballet by the same name. "The Sleeping Beauty" ballet is in fact Tchaikovsky's greastet musical masterpiece, and Disney merely sliced up some of the melodies to fit certain moods and scenes in the film. He also put lyrics to the enchanting "Sleeping Beauty Waltz"- in the song "Once Upon A Dream" in which the Prince and the would-be Sleeping Beauty meet for the first time, waltz and fall in love.True in many respects to the old fairy tale, which some claim originated in Germany, others in France, where it is known as "La Belle Au Bois Dormant"- the tale is brought back to life through classic Disney charm. Princess Aurora (named after the Roman goddess of the dawn) is born to King Stephen and his Queen (The March from the Tchaikovsky ballet plays) and all the inhabitants of the land come to her Christening in the great hall of the castle. Aurora's three fairy godmothers Flora, Fauna and Merryweather (later Disney animators said they based them on three actual little old ladies) bestow the baby princess with the gifts of song and grace. But the Gothic enchantress Maleficent, the rotten apple in the bunch, was not invited and naturally, she is outraged. She wears a purple-black robe, has Devil horns on her head and her constant companion on her shoulder is a black raven. "Sometimes I don't think she's very happy" Fauna says of her. Caught up in a nasty mood, the evil sorceress casts an evil spell on Aurora. She will prick her finger on a spinning wheel an die on her sixteenth birthday. To avoid this catostrophe, King Stephen orders all the spinning wheels burned. Merriweather, the fairy in blue, brings hope- only the kiss of a brave and noble prince will lift the curse of the death-like sleep.That prince is Phillip, who was already engaged to wed Aurora as a boy, (in an obvious statement about political unions in European monarchies). The three fairies do their best to prevent the terrible fate on Aurora, so they hide with her in their cottage in the deep forest and change her name to Briar Rose, raising her as their own child. But.. luck would have it, she meets Prince Phillip as he is hunting, they waltz and fall in love and she is brought back to the castle where she was born. There, Maleficent makes her prick her finger on the spinning wheel in a hypnotic trance. The spell is cat Poor Aurora...But you know the rest, don't you ? Fairy tale loves always have a happy ending. The Tchaikovsky music, the artistic animation, and the engaging story will delight audiences as far into the future as 2059. In 1959, children and young girls might have been captivated (they said that Aurora was based on either Leslie Caron or Audrey Hepburn) but in the future, the tale will still win hearts. Young girls will once again be gripped. Virtue will be rewarded. After all, "true love conquers all.""
Should be part of any child's DVD collection
Julie Neal | Sanibel Island, Fla. | 03/09/2008
(5 out of 5 stars)

"In 1959, the New York Times called Sleeping Beauty "a crisply stylized fairyland where the colors are rich [and] the sounds are luscious." In his book The Disney Films, critic Leonard Maltin writes that Sleeping Beauty is "a very good film, but more so for older audiences than for young children." The Gospel According to Disney says the movie illustrates "an eternal promise of resurrection," while From Walt to Woodstock claims it is a "therapeutic experience" that celebrates "a male-female relationship based on true equality."

As for me, I'd say that regardless of what you read into it, Sleeping Beauty is a must-own. A true Disney classic, the movie has such stunning visuals and such a strong villain that it makes up for its one major flaw: the lack of a good lead character.

The art, for example, is astounding. Full of bright 1950s color, each background is a graphic collage of rectangles and straight lines that is filled to the edges with meticulously sharp detail. On each tree you see every leaf; on each shrub you see every thorn. It's a look that set the stage for other Disney movies to come, such as Pocahontas, Mulan and Hercules.

As a whole, the characters are terrific. Kids will love the fairies. On-screen longer than anyone else, Flora, Fauna and Merryweather fly like bumblebees, ooze oodles of personality and are truly funny. They lose their temper and make many mistakes, especially in their attempts to bake a birthday cake and sew a dress.

The villain is perhaps the scariest in any Disney film. "The mistress of all evil," devil-horned, green-skinned Maleficent is a sarcastic, high-class horror show all by herself. She curses baby Aurora to death, imprisons a prince so that he can't save the grown girl, and eventually turns herself into a towering dragon that breathes green fire.

The movie's only weakness is the princess herself. Aurora -- dare I say it? -- is quite a snooze. Unlike the leads in Cinderella or Snow White and the Seven Dwarfs, this 16-year-old is a plain, passive Barbie doll who sings like an opera star. Unlike Cinderella or Snow White, she has no history of being mistreated. She's likable enough, but tough to relate to.

Still, that's the opinion of an adult, not a child. I give Sleeping Beauty five stars because of the art, because young kids -- especially girls -- will love it, because parents will also be entertained, and because its wholesome message that love conquers hate has rarely been presented better. A product of its time, the film is not perfect but still tough to beat. If you have kids and are building a collection of DVDs for them, this should be on your list."
Dark and brooding, with excellent intentions.
D. Litton | Wilmington, NC | 05/04/2001
(5 out of 5 stars)

"Disney's "Sleeping Beauty" is one of the most macabre and dark pictures ever. The tale of good versus evil is magically brought to life through an astonishing visual display of elite and sinister animation, combined with our heroes and villians, and a well-rendered musical score that is taken from the very music of Tchaikovsky. There is no doubt about it: this is a meticulous and excellently crafted motion picture which remains one of Disney's most ambitious and intriguing. The story remains the same: the princess Aurora is born into King Stephen's royal court, the pride and joy of all the kingdom, where celebrations and gifts are bestowed upon the small child. Tragedy strikes when the lone misfit of the kingdom, the evil and crafty Malificent, rains on their parade to place a curse on the child: "Before the sun sets on her 16th birthday, she shall prick her finger on a spindle of a spinning wheel, and die!" The kingdom is in peril with this news, and so the three fairies, Flora, Fauna and Merriweather conceal the child deep within the forest in a hidden cottage, raising the child under the assumption that she is of no royal relation. But what Disney movie would be complete without the obligatory second act of villainous treachery and heroes saving the day? This movie follows that same pattern, but in such an intense way that outweighs some of the live-action suspense we get from mainstream films. Malificent's curse comes true, and so it is up to Prince Phillip, whose love interest in the young princess drives him on his journey to seek out and rescue the maiden while defeating the creepy witch. Everything in this movie screams the word "medieval," from the animation of the elaborate castles to the creation of the forests and acts of mysticism and nature which accompany them. Attention to detail is great, focusing on such things as woven tapestries decorating the walls and ceilings of the castles, while the clothing worn by the characters dances between the elite society and the middle-class quite nicely. Other important settings in the movie, such as Malificent's castle, are given a gloomy, ominous look, dark and stormy, full of rotting and decay. This is also a classic evil-against-good story as well, attributing its successful execution to thr dazzling displays of magical powers as well as swarthy swordfights. Prince Phillip's treck through the forest of thorns still brings a certain amount of heightened suspense to an audience, while Malificent's character brings unease and restlessness to viewers. She is the embodiment of true evil, which is easy to see, while Prince Phillip is everything we want in a hero: dashing, morally just, and committed to his one true love. Comical relief is provided stupendously within the efforts of the three fairies, whose arguments amongst one another are hilarious and laugh-out-loud funny. Flora takes on the serious role, the one with the level head who makes sure that everything goes according to her plan. Fauna is douty and bird-brained, yet sweet-natured and high-spirited. Merriweather is the rebel, and her machinations in rebellion of Flora's perfect plans bring some funny moments, especially in a battle of the wills at the small cottage as they prepare for Aurora's birthday. The musical score plays throughout almost the entire film, unlike certain Disney films which have breaks in the score. The musical numbers sung by Aurora and Prince Phillip sell us on their love for one another, while the dark and brooding music of Malificent's power and evil fit the scenes perfectly. There are times when the music is frightening, and times when it brings cheer and delight to us. "Sleeping Beauty" remains one of my favorite movies, maintaining all the classical elements of the original work while giving it a wondrous and invigorating look. The visual style is comething to be admired and adored, while the story and the characters are crafted with heart and wit. This is Disney's darkest yet most complex piece, perhaps ever."