Search - Tattooed Life on DVD

Tattooed Life
Tattooed Life
Actors: Hideki Takahashi, Akira Yamauchi, Hiroko Ito, Masako Izumi, Kayo Matsuo
Director: Seijun Suzuki
Genres: Indie & Art House
UR     2004     1hr 27min


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Movie Details

Actors: Hideki Takahashi, Akira Yamauchi, Hiroko Ito, Masako Izumi, Kayo Matsuo
Director: Seijun Suzuki
Creators: Kurataro Takamura, Akira Suzuki, Masayuki Takagi, Ai Kennedy, Kei Hattori, Kinya Naoi
Genres: Indie & Art House
Sub-Genres: Indie & Art House
Studio: Homevision
Format: DVD - Black and White,Anamorphic - Subtitled
DVD Release Date: 01/20/2004
Original Release Date: 10/07/1966
Theatrical Release Date: 10/07/1966
Release Year: 2004
Run Time: 1hr 27min
Screens: Black and White,Anamorphic
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 0
Members Wishing: 3
MPAA Rating: Unrated
Languages: Japanese
Subtitles: English

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Movie Reviews

Standard Yakuza Stuff, With Flourishes
C. O. DeRiemer | San Antonio, Texas, USA | 09/22/2004
(3 out of 5 stars)

"Brothers, one a yakuza, kill bad guys...brothers flee...brothers find job in village...bad yakuza show up...big battle...unrequited love...death...maybe redemption.

Not much more than this, although the story is told in a well-crafted linear style that keeps things moving and one's interest up. The acting is a bit broad but okay. The relationships, such as they are, between the younger brother and an older woman is touching, and between the older yakuza brother (Tetzu) and the younger sister is amusing. The climactic battle between Tetzu and the dozens of bad yakuza is fast, dramatic and surprisingly non-gory considering all the sword slashing going on. There is, however, a fair amount of self-conscious directorial flourishes about the movie that, to my mind, detract from the film.

The movie and the director, unfortunately, are burdened by two pages of analysis by someone named Ray Pride, who calls the film a "pre-postmodern B-movie smash-pow quickie." He goes on and on. Examples..."Volatile and unpredictable, ever aware of the geometry of frame and editing, the director works with headlong assurance, fueling the usually pungent yet quietly absurdist Suzukian view of love, hope and honor." Or "Suzuki propels (Tetzu) past a mad succession of shoji screens and sliding doors -- mustard, white, beige, inscribed with clouds -- a feverish dream worthy of the bold impudence of Jerry Lewis' Ladies' Man..." No movie deserves this kind of treatment.

Not bad, not good. Probably won't watch it again. The DVD transfer is very good."