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Tully
Tully
Actors: Neil Jain, Sarah Clarke, Sandra Bernhard, Xander Berkeley, Federico del Moral
Directors: Amy K. Barrett, Hilary Birmingham
Genres: Drama
R     2003     1hr 42min

     
     

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Movie Details

Actors: Neil Jain, Sarah Clarke, Sandra Bernhard, Xander Berkeley, Federico del Moral
Directors: Amy K. Barrett, Hilary Birmingham
Creators: Amy K. Barrett, Hilary Birmingham, Anne Sundberg, Chip Signore, Matt Drake, Tom McNeal
Genres: Drama
Sub-Genres: Love & Romance, Family Life
Studio: Arts Alliance Amer
Format: DVD - Color
DVD Release Date: 06/17/2003
Original Release Date: 01/01/2002
Theatrical Release Date: 01/01/2002
Release Year: 2003
Run Time: 1hr 42min
Screens: Color
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 2
Members Wishing: 0
MPAA Rating: R (Restricted)
Languages: English

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Member Movie Reviews

Mary Jane T. (MJ) from SPOTSYLVANIA, VA
Reviewed on 12/2/2009...
One of the most realistic farm movies we ever saw. The farmer actually seems and dresses (wears the same old tractor supply cap) like a real farmer and not an actor. Not a feel good family movie, kind of sad but believable. Pretty setting. We liked it.
1 of 2 member(s) found this review helpful.
Tarra S. (thesaintmom) from PIEDMONT, SC
Reviewed on 5/28/2008...
A very truly nice & exciting love story.

Movie Reviews

Two brothers and the summer a hidden past is revealed
Ronald Scheer | Los Angeles | 07/17/2003
(4 out of 5 stars)

"Based on my memory of reviews when this film was first released, I expected a kind of comedy-drama-romance, which it is not. It can best be described as a family melodrama, set on a small farm in Nebraska (actually shot in the rural community of Ft. Calhoun, near Omaha). The elements are somewhat familiar: an older man raising two sons, of somewhat different temperaments, all haunted by the memory of a mother who had aspirations beyond the narrow confines of the farm (she names a horse Jackie, after Jackie Kennedy, because she "liked famous people"). During a summer, as the boys have grown into young men, the truth of their mother's past begins to make itself known, and all are deeply affected.The story has a leisurely pace as it unfolds, and for a time it seems to be about the growing attraction between womanizer Tully and Ella, a college-educated friend of his younger brother. But this becomes a thread in the larger story of a family's secrets and loyalties surfacing after years of silence and half-truths. For its length, it's a small film, and its strength is not in big effects, sex and nudity, or heavy plotting. Instead there are well-acted scenes between people in muted conflict who struggle with emotions and the difficulty of trusting others with the truth about themselves. This will not be everyone's idea of entertainment, but as indie movies go, I found that it rewarded my patience.The cinematography captures the deep greens of mid-summer, and scenes are often shot in early morning or late afternoon, so the golden, glancing sunlight lights characters with a rich glow and casts cool shadows. Night scenes are played against a textured fabric of insect sounds. Always the camera captures the isolation and solitude of country living.Perhaps the only real ring of inaccuracy in the film is the fact that so little of the dawn-to-dusk work of actual farming is reflected in the lives of the characters. These boys have an awful lot of time on their hands; the farm seems to take care of itself. The film is based on a story by writer Tom McNeal, whose novel "Goodnight, Nebraska" has similar characters (a young couple), a rural small town setting, and touches on similar themes. For fans of the film, I recommend McNeal's book."
Quiet Midwestern Life (And One of 2002's Best Films)
mirasreviews | McLean, VA USA | 07/12/2003
(5 out of 5 stars)

"Tully (Anson Mount) and his brother Earl (Glenn Fitzgerald) live and work on their family farm with their Father (Bob Burrus), their Mother having died when the boys were children. While Tully is an outgoing, sometimes overbearing, ladies' man, Earl is introverted, shy and often the object of his brother's teasing. When their Father receives a foreclosure notice from a collection agency over money that he didn't know that he owed, a series of events are set into motion that change the relationship between Father and sons and bring the family's past into the forefront of their present lives. The tension created by old secrets and new problems causes Tully to abandon his womanizing ways and puerile demeanor and seek the friendship of Ella (Julianne Nicholson), a young woman who is a good friend of Earl's. Ella's friends fear for her feelings when she becomes friendly with Tully, and Tully himself tries to drive Ella away when he realizes that he has strong feelings for her at the same time he must deal with family crises. But Ella and Tully fall in love in spite of these things and cope together when an unexpected tragedy brings an end to the family's crisis."Tully"'s quiet tone and measured pace beautifully reflect the midwestern landscape which is not only the setting for this film, but often seems to be a character in it as well. It would be accurate to say that the pace of this film is slow. But its leisurely pace is deliberately and meticulously crafted, and it never drags or bores. The family crises in "Tully" could easily be construed as the stuff of melodramas, but there isn't a bit of melodrama in this film. The characters seem so real that you might think to reach out and touch them, and they cope with revelations that strike at the heart of their self-images the way that level-headed people do: Mostly privately, quietly and effectively. I cannot praise director Hilary Birmingham, cinematographer John Foster, and the principal actors enough for being able to sustain "Tully"'s even, quiet lyricism throughout the film. Impeccable pacing, exquisite cinematography, an excellent script, and great understated performances, so rarely seen together, combine to make "Tully" a true gem of a film. I expected this to be a decent midwestern drama, which inspires limited enthusiasm. But it turned out to be one of the best films of 2002. (It was actually made in 2000.) "Tully" isn't a movie for those who like their films frenetically-paced, but it is a beautiful film with astonishingly good and touchingly subdued performances. I look forward to future projects from director Hilary Birmingham and this excellent cast.Note: On the VHS version of this film, there is a short film entitled "The Third Date" that precedes the main feature. It takes place on Coney Island, features a cameo appearance by Sandra Bernhard and has no relation to "Tully". Don't think that you have the wrong tape if, at first, you see "The Third Date"."
Better than the Title
R. A Rubin | Eastern, PA United States | 06/16/2004
(4 out of 5 stars)

"Sometimes movie titles (Tully) are weaker than the movies. This story line of mid-western farm people from a vague time period, I'm guessing the late 1980's or mid-90's, is well developed. We care about young stud Tully,his dorky brother, and weather beaten dad. The farm is in danger from a mysterious debt and Tully is gradually falling for the freckled good-girl neighbor back from vet school. These are people that work. How many movies are about real people that work? No detectives or super-models here, no; these are rural folks that honky-tonk on a Saturday night and swim in the local water hole with their girlfriends, or make love down a lonely road on top of the hood of a 82 Cadillac. I cared about the characters."