Search - Cyrus on DVD


Cyrus
Cyrus
Actors: Marisa Tomei, Jonah Hill
Director: Mark Duplass Jay Duplass
R     2010     1hr 31min

Mumblecore auteurs the Duplass brothers (Baghead, The Puffy Chair) dip their toes in the precarious waters of Hollywood by casting well-known actors in Cyrus. But their devotion to clumsy, uncomfortable people remains: Joh...  more »

     

Larger Image

Movie Details

Actors: Marisa Tomei, Jonah Hill
Director: Mark Duplass Jay Duplass
Studio: Fox Searchlight
Format: DVD - Color,Widescreen - Dubbed,Subtitled
DVD Release Date: 12/14/2010
Original Release Date: 01/01/2010
Theatrical Release Date: 07/19/2010
Release Year: 2010
Run Time: 1hr 31min
Screens: Color,Widescreen
Number of Discs: 1
SwapaDVD Credits: 1
Total Copies: 0
Members Wishing: 0
MPAA Rating: R (Restricted)

Similar Movies

The Other Guys
Director: Adam McKay
   UR   2010   1hr 47min
The American
Blu-ray
Director: Anton Corbijn
   R   2010   1hr 45min
   
The Town
Director: Ben Affleck
   R   2010   2hr 5min
   
Easy A
Director: Will Gluck
   PG-13   2010   1hr 32min

Similarly Requested DVDs

Superbad
Unrated Widescreen Edition
Director: Greg Mottola
   R   2007   1hr 53min
   
The Wrestler
   R   2009   1hr 49min
   
Up in the Air
Director: Jason Reitman
   R   2010   1hr 49min
   
A Serious Man
   R   2010   1hr 46min
   
Doubt
   PG-13   2009   1hr 44min
   
The Darjeeling Limited
   R   1hr 31min
   
Funny People
Director: Judd Apatow
   UR   2009   2hr 26min
   
Inglourious Basterds
Single-Disc Edition
   R   2009   2hr 33min
   
City Island
Director: Raymond De Felitta
   PG-13   2010   1hr 40min
   
The American
Director: Anton Corbijn
   R   2010   1hr 45min
   
 

Member Movie Reviews

Lewis P. (Turfseer) from NEW YORK, NY
Reviewed on 1/27/2011...
A Paean to the Passive Aggressive

**This review may contains spoilers**

No, I don't usually like movies that feature quite a bit of improvisation and jerky cinematography. Nonetheless, 'Cyrus' has enough crazy moments in it, that it's actually kind of funny. This is not your usual laugh out loud comedy. Rather, it's a farce where we're asked to laugh at (not with) a set of sharply defined, passive-aggressive character types.

A central characteristic of the passive-aggressive personality type is that he/she rarely is able to express anger in a direct, forceful way. Instead, the anger is expressed in a series of short, aggressive bursts and passive retreats. The passive aggressive personality lives in a pressure cooker and inevitably must end up exploding. But once the explosion is over, they will end up where they started: in the same passive aggressive holding pattern, leading nowhere. Passive aggressives can also be thought of as belonging to the larger family of masochists who enjoy inflicting pain on themselves by not really letting go of their anger--by the same token, they appear to enjoy engaging in minor skirmishes, where they may win a minor battle or two but never can truly claim victory in an 'all out war'.

At the outset of 'Cyrus', we see that we're dealing with some very screwed up passive aggressive types. John's sister, Jamie, aggressively enters enters his house without telling him and then catches him masturbating. At first, her reaction is normal, heading for the door, shrieking with great embarrassment after catching him in the act. But after listening to his lame explanation that he had "jock itch", Jamie passively tells him she didn't see anything and the confrontation dies.

If the characters in Cyrus were merely neurotic losers, the film wouldn't be very funny. Wisely, the film's scenarists, the Duplass brothers, also infuse their characters with some endearing qualities. John is spontaneous when he leads a group of party goers in the Human League's 80s hit, 'Don't you want me baby'; Cyrus has some great talent as a keyboardist/composer of electronic pop music; Molly is uninhibited and non-judgmental when she acts on her sexual impulses and Jamie is a supportive sibling to brother John who suffers from low self-esteem.

But despite all the endearing qualities, the Oedipal conflict is too strong from preventing the two male suitors from going to war over the affections of Molly, torn in her roles as both mother and lover. There's a great scene after John moves in with Molly where they're about to make passionate love in the living room when Cyrus (who has let himself in), casually turns on the light and in a deadpan delivery, blurts out, "Sorry for interrupting". Instead of expressing their true feelings of genuine anger over having their lovemaking interrupted, John meekly exclaims, "Good to see you" and Molly, in an even more weak and half-assed voice, whispers, "Hi!"

There are other moments where Cyrus will do something outrageous such as going into the bathroom while his mother is taking a shower and John passively stews but takes no action. Not all of Cyrus' stratagems are necessarily passive aggressive posturing. When he decides to move out of his mother's house, he's clearly trying to manipulate her and succeeds; she's so wracked with guilt that she welcomes him back with open arms when he informs John that he intends to move back in (there's also a short kiss on the lips betraying the incestuous relationship that exists between mother and son).

Molly is also guilty of blatant passivity in the form of being a classic enabler. She's constantly making excuses for Cyrus by maintaining that he's been "going through so much" (taken in by his fake panic attacks and outright manipulative behavior). John's sister, Jamie, also has a problem in confronting reality when she tells John that she believes Molly and Cyrus are perfectly normal--ignoring Cyrus' quirky behavior in ordering John to climb a tree, act like a 'jaguar' and scream at the top of his lungs.

The Second Act 'dark moment' (if you can call it that), is when John and Cyrus get into a fight at Jamie's wedding. Cyrus explodes in a jealous rage over John and Molly's continuing relationship and John retaliates over Cyrus hiding his shoes. This incident actually causes John to step out of his passive aggressive ways and speak plainly to Molly, when he asserts, "Open your eyes". The acceptance of reality is short-lived: Cyrus passively begs John's forgiveness, invites him back to the house and John meekly accepts at the film's end. Presumably, this truce will be short-lived and one has the distinct expectation that the minor border war between John and Cyrus will pick up soon enough again.

'Cyrus' is really a one joke idea focusing on the unhealthy relationship between the two male principals. The humor comes in the variations of the passive aggressive behavior of the characters. 'Cyrus' is not unlike Larry David's 'Curb Your Enthusiasm' which is another kind of study of the passive aggressive personality. Not everyone will dig the humor of 'Cyrus'; but for the more patient film-goer, there are moments of true mirth that will pop up, as this exercise in passive aggressive shenanigans, plods along to its fitful conclusion.